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{{infoboxinfobox1
|title=The Scent of Death
|sort=Scent of Death, The
|publisher=HarperCollins
|date=February 2013
|amazonuk=<amazonuk>0007213514</amazonuk>
|amazonus=<amazonus>0007213514</amazonus>
|website=http://www.andrew-taylor.co.uk/
|video=
|summary=A chilling and fascinating historical thriller set in a New York in the grip of the War of Independence, Andrew Taylor’s latest revels in the darker side of humanity.
|cover=0007213514
|aznuk=0007213514
|aznus=0007213514
}}
It’s hard to explain why Andrew Taylor’s novels are so chilling. They’re ghost stories that often lack ghosts, crime novels in which the crime itself feels at a remove from the rest of the action. But that’s really the secret of their power: while in most thrillers, the bogeyman is a single entity, easy to pinpoint and therefore easy to excise from the rest of the healthy fictional world, things are never so simple in the universes Taylor creates. What is frightening in an Andrew Taylor novel? Everything.

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