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{{infoboxinfobox1
|title=The Parrots
|sort=Parrots, The
|publisher=Pushkin Press
|date=July 2013
|amazonuk=<amazonuk>1908968192</amazonuk>
|amazonus=<amazonus>1908968192</amazonus>
|website=
|video=
|summary=The Parrots is searing satire of the literary world as three writers compete for The Prize, a coveted award.
|cover=1908968192
|aznuk=1908968192
|aznus=1908968192
}}
When confronted with the topic of parrots, most people would describe them as tamed tropical birds that are taught to repeat simple phrases, having no particular intelligence to engender an originality of their own. Filippo Bologna has not in fact written a book about birds, but about writers - in fact, three writers. Just as the Neo-Pagans have a liking of the Triple Goddesses of The Maiden, The Mother and The Crone, our three writers are similarly split into The Beginner, The Writer, and The Master. All three of these novelists are battling it out for The Prize, a prestigious award that would revitalise the career of The Master, legitimize the efforts of The Beginner and assure The Writer a place in the annals of history. The setting of Rome is utilised to provide both a stunning backdrop and one that is sympathetic to the mood of our characters. The stories of our three protagonists are interwoven in a delightfully clear fashion; Bologna's prose is delicate and descriptive, but not at the sacrifice of pacing. The stage is set; the characters have learned their lines. There is just one problem... out of the three writers, none of them deserves to win The Prize.