[[Category:Crime (Historical)|*]]
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{{Frontpage|isbn=0349423067|title=The Body on the Train (Kate Shackleton Mysteries)|author=Frances Brody|rating=4.5|genre=Crime (Historical)|summary=From Christmas to Easter a train ran from Leeds City Station to King's Cross, arriving before dawn so that the forced rhubarb it carried could be taken to Covent Garden. In early March 1929 one of the porters who was unloading the boxes discovered the body of a man, stripped naked and with no means of identification. Scotland Yard hit a dead end and called on the services of Kate Shackleton in the hope that her knowledge and connections in Yorkshire would give them the lead they needed. Kate immediately found herself hamstrung: Commander Woodhead remembered her as a child and could not come to terms with the fact that she was now a woman experienced in dealing with murder. He was reluctant to give her all the information which the police held.}} {|class-"wikitable" cellpadding="15" <!-- INSERT NEW REVIEWS BELOW HERE-->
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It was 1360 and Michaelhouse was in dire financial straits: they could last a little longer but not that long. Then it seemed that a lifeline might have been thrown to them when they heard that the wealthy Elizabeth de Burgh of the Suffolk town of Clare was dead and it was possible that The Lady, as she was known, had left them a legacy. It seemed that the best thing to do was to go to Clare to claim the money (or to try and prove that it had been intended and should therefore be paid) with all haste. The real mission could be concealed behind the bald statement that they were there to attend the funeral. Matthew Bartholomew was one of the contingent from Michaelhouse. [[The Habit of Murder: The Twenty Third Chronicle of Matthew Bartholomew by Susanna Gregory|Full Review]]
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===[[The Painted Queen: an Amelia Peabody Mystery by Elizabeth Peters and Joan Hess]]===
[[image:4star.jpg|link=Category:{{{rating}}} Star Reviews]] [[:Category:Crime (Historical)|Crime (Historical)]]
Amelia Peabody is a no-nonsense lady who endures all manner of murder attempts, kidnappings and sundry other crimes while on archaeological digs in Egypt with equanimity and composure. She is either revered or feared (or both) by villains, museum curators, family and workmen alike for her caustic tongue and the steel-reinforced parasol she brandishes at the first sign of danger. And yet, once the evil-doers have been locked up, precious objects returned to their owners and all injuries bandaged, she still insists on all the decorum of the English abroad: formal dress for dinner and only the politest and least contentious topics for dinner-table conversation. [[The Painted Queen: an Amelia Peabody Mystery by Elizabeth Peters and Joan Hess|Full Review]]
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