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If the book had concentrated solely on James’ struggle, it would have been a harsh read, but one that raised questions about our own treatment of prisoners and the poor. However, Marshall throws in a couple more layers of story that muddy the waters. There is a love story that is a little unbelievable and a fight club that just seems daft. The book darts between the day to day life of internment, to a teeny love tale and then violent fighting. The reader can become a little confused at the time frame as Marshal has to skip days to allow James time to recover when nothing else seems to happen.
Whilst the book does get bogged down in the middle, it is certainly worth persevering for the final act that bring brings to the fore the society that imprisoned James at the age of six. A group known as the Zeros believe that if a person is genetically designed to be a criminal, why bother educating them when you can kill them instead? This not only poses another interesting debate about the nature of criminality, but also leads to some great action set pieces as James tries to help himself and his friends.
Like with many genre books that rely heavily on one strong concept, ‘Goodhouse’ has some great ideas, but does not quite utilise them as well as they could be. Marshall has given the book a very solid centre with a likable likeable lead and well-designed world. It is a shame that some of the book drifts more into juvenile fiction and feels too naïve when compared with the heart -wrenching world that James exists in. Fans of teenage dystopian fiction will certainly enjoy the book, as will the majority of science fiction fans; it is just that some people will find it all a little twee at times.
If you have not got around to it yet you should certainly read the book that kicked off the latest dystopian futures fad; [[The Hunger Games by Suzanne Collins]]. A more fun and far more adult version of a broken future can be witnessed in the excellent [[Koko Takes a Holiday by Kieran Shea]].

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