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'''Read [[Features|new features]].'''
 
{{newreview
|author=Michael Blastland and David Spiegelhalter
|title=The Norm Chronicles: Stories and numbers about danger
|rating=5
|genre=Politics and Society
|summary=I'd like you to meet Norm. He's an absolutely average kind of guy, thirty one years old, 5'9”, a touch over thirteen stone and he works a thirty-nine hour week with the occasional treat of a bar of milk chocolate. Oh, and he's ambivalent about Marmite - couldn't care one way or the other - can take it or leave it. In ''The Norm Chronicles'' we hear the story of his life and the lives of his friends Prudence (the name tells you what you need to know) and Kelvin, who's a dare-devil, hard-living kind of guy. It's the story of the hazards they face - some real and some imagined - in every aspect of their lives. And along with these stories are the ''real'' facts about the reality of the risks they take.
|amazonuk=<amazonuk>1846686202</amazonuk>
}}
{{newreview
|summary=This story is all about the characters. Plot-wise, it is set in 1980s suburban America. There are no explosions or even fairy tale adventures in this book. It’s just the simple adventure of life when you’re a child and learning new things every day. Ivy accounts her day-to-day life with an extreme attention to the strangest details, just like a child. As well as explaining what she has learnt in school, she describes her daydreams, her friends and her family. When her dad loses his job, her parents start arguing and she is worried they might have to get a divorce like sad Sara in her class. And not only that, they might have to return their new TV.
|amazonuk=<amazonuk>1908434244</amazonuk>
}}
 
{{newreview
|author=Suzy Cox
|title=The Dead Girls Detective Agency
|rating=4
|genre=Teens
|summary=The Dead Girls Detective Agency takes us with Charlotte Feldman, an average school girl who is pushed under a train and wakes up to find that the afterlife for murdered teenagers is a downtown hotel from where they must solve their cases and get the killer to confess in order to move on. I’d call it a fresh and original take on the whodunit if I hadn't seen variants of it before. However, it does have individuality. The sole condition for moving on is solving the murder – there’s no pansying around finding absolution or atoning for transgressions.
|amazonuk=<amazonuk>1472106598</amazonuk>
}}

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