|summary=Iceland, a hundred years ago. From a place that is the very definition of rural and remote, a small fishing boat leaves for four hours' hard row to a profitable bank. It carries six men on the way out, and five on the way back. The deceased is the best friend – or perhaps only friend – of the main character, who is still young enough to merely be known as ''boy''. When he returns to port he enters an almost Camus-like semi-existence, wondering just how much life is an answer, and for what, after the tragedy he has witnessed.
|amazonuk=<amazonuk>1849164061</amazonuk>
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{{newreview
|title=The Son
|summary=Imagine reading a book set in a Scottish children’s care home. It’s about a violent and a deeply disturbed fifteen year old drug addict who, when she was eleven, found her prostitute foster mother murdered in the bathtub. That’s the set-up of Jenni Fagan’s ''The Panopticon'', and that’s what it’s about – but the funny thing is that whatever you’re picturing in your head right now, and what I was imagining before I sat down to read it, bears absolutely no resemblance to the book Fagan has actually written.
|amazonuk=<amazonuk>0099558645</amazonuk>
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{{newreview
|author=Jess Richards
|title=Cooking with Bones
|rating=4.5
|genre=Literary Fiction
|summary= Sisters Amber and Maya run away from home, the city of Paradon, and arrive in a small village. Finding an old cottage, the girls settle in comfortably, hidden from the locals' sight while joining in with their customs as Amber backs honey cakes each night from the ingredients left daily outside the cottage and the instructions of the former occupant's cookery books. Now they've moved away from their old life Amber tries to encourage Maya to stand on her own two feet which isn't easy. For Maya is a formwanderer, engineered to reflect other's wants; a role in which it's difficult to exist normally, let alone while trying to adjust to change… and, indeed, unexpected death.