Entertainment
John Lennon: The Life by Philip Norman
For part of my formative years, John Lennon was one of the four most famous people in the world. All that we have learnt about him in the thirty years or so since his death has kept his name firmly in the public eye, if not always for the best of reasons. At over 800 pages, this is one of the lengthiest biographies written about the extraordinary life and times of the former Beatle. It's also surely one of the most impartial. Full review...
Possessed: The Life of Joan Crawford by Donald Spoto
Thanks to the memoir 'Mommie Dearest' by her adopted daughter Christina, the enduring image of movie star Joan Crawford is one of an alcoholic, sadistic monster. Spoto clearly believes that this portrait is a gross exaggeration, and is at pains to rectify the balance. Having previously written biographies of Alfred Hitchcock and Marilyn Monroe among others, he clearly knows the subject of cinema inside out, and has written a very thorough chronicle of Crawford's career. The impression the reader is left with, however, is that in looking at her family life and art he has perhaps striven too far to present her as a person more sinned against than sinning, a legendary talent, beauty and above all a grossly maligned adoptive mother. Full review...
Life by Keith Richards
Nearly forty years ago, Keith Richards was considered the next most likely rock'n'roll star to succumb to drugs. The man has defied all the odds in staying alive, and continuing to do what he has been doing for almost half a century. In the process, he has earned the sometimes grudging, sometimes unqualified respect of those who would once never given him the time of day. Full review...
Diaries Volume 1 by Christopher Isherwood
In January 1939 Christopher Isherwood left England for America in the company of poet WH Auden. This hefty volume covers his diaries from that date until August 1960, when he celebrated his fifty-sixth birthday. A 49-page introduction setting out the background leads us into the entries, which are divided into three sections – The Emigration, to the end of 1944; The Post-war Years, to 1956; and The Late Fifties. After these we have a chronology and glossary, or to put it more accurately a section of brief biographies of the main characters mentioned, these two sections comprising over a hundred pages altogether. Full review...
The Cello Suites: In Search of a Baroque Masterpiece by Eric Siblin
At the end of the 20th century Eric Siblin was a rock and pop critic for the 'Montreal Gazette'. This, he says, was, a job which filled his head 'with vast amounts of music, much of which I didn't want to be there'. Aware that there were vast horizons crying out to be explored, he went out one night to hear a recital from the Boston cellist Lawrence Lesser, featuring the solo cello suites of Bach. The contrast between hearing one solitary performer playing a simple wooden cello for an audience a fraction of the size could have hardly been more different to the stadium style gigs he had been covering regularly until then. About three years earlier, he had reviewed a show by U2, noting that for the 52,000 fans who attended and 'wanted to see more than four Lilliputian musicians making huge noises...technology blew everything out of proportion.' The inevitable hate mail soon rolled in. Full review...
Mr Manchester and the Factory Girl: The Story of Tony and Lindsay Wilson by Lindsay Reade
Mr Manchester, as Tony Wilson came to be known, could have been the next John Humphrys. Instead he ended up becoming the next Malcolm McLaren – or, perhaps, a far less successful version of Richard Branson. After graduating from Cambridge University with a degree in English he became a trainee news reporter for ITN, and for much of his life he worked as an anchorman for regional evening news programmes. Yet he is less remembered for this than for his championship of alternative music and punk rock, founding of Factory Records and involvement with the Hacienda Club. Although he loved the Beatles and folk music in general, he disliked much of the contemporary music scene until he saw the Sex Pistols live in the summer of 1976. Full review...
Showtime: A History of the Broadway Musical Theater by Larry Stempel
Stempel is an associate professor of music at an American university so I would imagine that this book is primarily a labour of love. In the Preface Stempel bemoans the loss of important research material over the years, whether it be musical scores, playbills or similar. It happens. It is a fact of life. Simply thrown away or discarded as being considered not important. It's only a musical, after all. A bit light and frothy. Stempel thinks otherwise - and takes his time telling us exactly why. Full review...
You Never Give Me Your Money: The Battle for the Soul of the Beatles by Peter Doggett
When four young Liverpudlians got together to make music in the early 1960s, they can have had no idea of their future impact on the world around them. Likewise they would surely not have had an inkling of the extraordinary business minefield which their existence as a group would create, and which would leave the scars long after they had gone their separate ways, even after two of them had died. As at least one of them ruefully commented, they must have provided several lawyers' children with a very expensive education. Full review...
Teenage Revolution: Growing Up in the 80s by Alan Davies
Born in 1966, Alan Davies grew up in Essex, the son of a staunchly Conservative-voting father and a mother who died of cancer when he was only six. It was a childhood dominated at first by 'Citizen Smith' and the other TV sitcoms, 'Starsky and Hutch', 'Grease', Barry Sheene, the Barron Knights, and Debbie Harry. The book begins at 1978, the year I started venturing out more, and finishes at 1988, when he graduated from Kent University to find that stand-up comedy could be an alternative to finding a job where he would have to do what he was told. Full review...
Still on the Road: Songs of Bob Dylan, 1974-2008 by Clinton Heylin
Heylin is also obviously a fan, a very knowledgeable and obsessive one to boot. He has never met or directly interviewed his subject (who is known to guard his privacy quite fiercely most of the time), but his research materials include official recording sessionographies and interviews conducted by others. All this is naturally invaluable information for his analysis and history of all the 600-plus songs the man is known to have written or co-written from 1974 to almost the present day. In terms of his discography, that spans the albums from ‘Blood on the Tracks’, released in 1975 and commonly regarded as probably his best post-1960s set, to ‘Together Through Life’, which appeared in 2009. Full review...
Celebrity: How Entertainers Took Over The World and Why We Need an Exit Strategy by Marina Hyde
I have what is perhaps a regular-sized interest in A and B-list celebrities. I can name the off-spring of many an actress, tell you who the spokespeople for certain brands are, write a list of celebs with publicly declared devotions to certain religions, even win the odd pub quiz thanks to knowing the birth names of various performers. I know all sorts of things about this rather small subset of society, but I know the what more than the why, and that's exactly the problem, according to this book. After all, if more of us sat down to wonder about what it actually is that the likes of Geri Halliwell and Nicole Kidman bring to the UN, we might seriously question how and why they ever got involved in the first place. Full review...
Syd Barrett: A Very Irregular Head by Rob Chapman
Roger Barrett, who later acquired the moniker 'Syd' (let's make him Syd from now on) was born in Cambridge in 1946. The fourth of five children, he was the only one to inherit any lasting artistic talent, which came from his father Max. The latter was a senior pathologist, member of the local Philharmonic Society, gifted singer, pianist and watercolour painter. Full review...
Matt Monro: The Singer's Singer by Michele Monro
In terms of British chart statistics and record sales, Matt Monro never quite fulfilled his full potential. When measured against the achievements of contemporary ballad singers like Tom Jones and Engelbert Humperdinck, he fell some way short. Yet the former Terry Parsons was a regular fixture on the light entertainment circuit, and overseas, particularly in Latin America and the Philippines, he was undoubtedly one of Britain's most successful exports ever, and at one point he was the biggest selling artist in Spain. His idol Frank Sinatra, to whom he was often compared, often said that Matt was the only British singer he ever really listened to. Full review...
Heaven And Hell: My Life in the Eagles, 1974 - 2001 by Don Felder
In terms of record sales and income from live tours, hardly anyone matched the Eagles' rate of success during the 1970s. Yet the constant search to better themselves with each record, the in-fighting, the drugs and egos, soon got the better of them. They say it is tough at the top, and nobody is better equipped to tell the often painful story than their former guitarist Don Felder. Full review...
Ian Dury: The Definitive Biography by Will Birch
Ian Dury was always one of the most individual, even contrary characters in the musical world. In a branch of showbiz where people often relied on good looks as a short cut to stardom, he was no oil painting. During the pub rock era, he and his group, the Blockheads, ploughed a lonely furrow which owed more to jazz-funk than rock'n'roll, and his songs extolled the virtues of characters from Billericay or Plaistow rather than those from Memphis or California. Alongside the young punk rock upstarts with whom he competed for inches in the rock press, he was comparatively middle-aged. As if that was not enough, in his own words childhood illness had left him a permanent 'raspberry ripple'. Full review...
Alastair Sim: The Star of Scrooge and the Belles of St Trinian's by Mark Simpson
The mere mention of Alastair Sim conjures up visions of pictures made during the 1950s when a more gentle humour was the order of the day. Yet the man hated and did his best to avoid publicity, claiming that the person the public saw on screen revealed all that anybody needed to know about him. How he would have fared twenty years later in the age of a more intrusive press, one cannot but wonder. Full review...
The Richard Beckinsale Story by David Clayton
A generation probably knows Richard Beckinsale only from repeats on the UK Gold TV channels, and from occasional mentions in the context of 'how great he would have been if only…' In 1978 The Sunday Times Magazine tipped the 30-year-old sitcom favourite as a rising major star of the 80s who would blossom into one of the great all-round stage actors. One year later, he was dead. Full review...
My Story, My Life: Val Doonican - The Complete Autobiography by Val Doonican
In the 1960s, if Harold Wilson was the personification of politics and the Beatles the collective icon of youth culture, Val Doonican was similarly at the very apex of light entertainment. He may no longer have such a high profile – but he's outlasted them both. Over four decades he has refused to bow to passing fads and fashions, remained true to himself, and in the process he has never really put a foot wrong. As he says towards the end, 'When you find out what it is you do best, and what the public wants from you, then stick with it, and do it as well as you can.' With the possible exception of his contemporary and long-time professional and personal friend Rolf Harris, it's difficult to think of another person in showbiz who comes across as more genuinely likeable, and more a genuine case of 'what you see is what you get'. Full review...
The Ultimate DVD Easter Egg Guide: How to Access the Hidden Extras on Your DVD by Jo Berry
Consider the Easter Egg - at least in the way DVD collectors mean. Sometimes a pointless hidden add-on, that is there for no reason. Sometimes they can be a priceless bonus, seemingly gifted by the disc producers to those in the know, costing - at least in the case of some animated instances - many thousands of pounds. Some oik on set with a camcorder, they are not. I've been guilty several times of clicking away in directions the menus don't seem to encourage on the off-chance I find something (or, on a PC, just sweeping the PC mouse over any and every title card in case it highlights something previously invisible). Forcing several titles and chapters by going straight to them in case they're something secret is not a hobby I like to admit to. Full review...
Jazz by Gary Giddins and Scott Deveaux
At first glance this 700-page volume might look a little daunting. Do not be daunted. If you want a small pocket book which merely scratches at the surface and can probably be digested in a sitting or two, look elsewhere. On the other hand, if you want an extremely readable and comprehensive book on jazz which can not only be read cover to cover, but also retained as a work of reference to use again and again, I doubt if this can be bettered. Full review...
An Education: The Screenplay by Nick Hornby
Adroit marketing? Well, yes. An Education has been published, of course, to coincide with the film's general release in the UK. Hardly surprising since our national appetite for nosiness seems insatiable and cosy background details prop up every telly series and film these days. As well as the screenplay, Nick Hornby has provided an introduction and diary of the film's successful premiere at the Sundance Festival in Utah. Beyond trivia, I think this fascinating little book presents an excellent 'how to' guide for wannabes from one of Britain's most respected screen and novel writers. Full review...
Turned Out Nice Again: The Story of British Light Entertainment by Louis Barfe
Light entertainment is often looked down upon, as if it's a bit naff, tepid and ignorable. What's often forgotten is that it's hugely popular, enjoyable and much of it is of the highest quality. Louis Barfe's Turned Out Nice Again tells the complete story of British light entertainment. Full review...
Bounder!: The Biography of Terry-Thomas by Graham McCann
When I was in my early teens, it sometimes seemed as if Terry-Thomas was one of the stars of almost every other five-star British comedy film around. He was certainly one of the most recognizable characters of all with his gap-toothed grin, cigarette holder and inimitable 'Hel-lo!', 'Hard cheese!', and best of all, the angry, 'You're an absolute shower!' Full review...
Margrave of the Marshes by John Peel and Sheila Ravenscroft
John Peel was without doubt one of the most important disc jockeys of all time. Born in Merseyside in 1939, he began his career in mid-60s America before returning home to join Radio London and then become one of the original Radio 1 team, where he stayed until his death 37 years later. I admired the man for his passion for playing the music nobody else would give the time of day (even if I didn't always enjoy it myself) and his readiness to say exactly what he thought, even if it was not what his employers at the BBC wanted to hear, and I always enjoyed reading his columns in the music weeklies and later Radio Times. Nevertheless I found much of his show unlistenable towards the end, recall some of his rather curmudgeonly remarks on air (guest slots on Radio 1's Round Table review programme come to mind), and thought his build-'em-up, knock-'em-down stance rather irritating after a while. So I approached this book with an open mind as a fan, but not an uncritical one. Full review...
Look Back in Hunger by Jo Brand
Born in Hastings in May 1957, after leaving Brunel University with a degree in social sciences, Jo Brand unsuccessfully applied for a research job with Channel 4 on a series about racism, then worked for a time as a psychiatric nurse at the South London Bethlem and Maudsley Hospital. But the lure of showbiz proved too strong, and stardom in stand-up comedy soon beckoned. Full review...
Driven to Distraction by Jeremy Clarkson
Jeremy Clarkson's middle name ought to be Marmite. You really do either love him or hate him. I am in the first camp. I think he is brilliantly funny. He is. He makes me laugh. Out loud. And like many women who watch Top Gear, (well, those that don't watch it because they are strangely – bizarrely - attracted to James May – I am not - or because they want to mother The Hamster – I do not) I find Jeremy Clarkson hilarious. And I don't think you have to like cars to see the appeal either! I mean, the columns within Driven To Distraction occasionally start off talking about cars, but not always and they quickly move on to the things that get his dander up before tailing neatly back to the cars again. Or not. And what is in between is pure gold dust. Full review...
Stirred But Not Shaken: The Autobiography by Keith Floyd
I grew up with television cookery programmes and still have some recipes in my childish handwriting, which begin 4oz SR fl 2oz marg 2oz C sug… as I battled to copy what was on the screen before we retuned to the presenter. Programmes stagnated as the cook spoke to camera and lectured the viewer on how to make sponge cake or a fish dish. Then we were shocked awake. There was a man, quite good-looking in a raffish, slightly dangerous sort of way, who cooked on the deck of a trawler or wherever the whim took him, always glass in hand and who was quite capable of berating the cameraman about how he was doing his job. Like him, or hate him – you could not help but know that he was Keith Floyd, or Floydy to millions. Full review...
The Hacienda: How Not To Run A Club by Peter Hook
In the beginning there was Tony Wilson, a Granada TV presenter who came to prominence as compere of the music show So It Goes. Then there was Factory Records, the Manchester-based alternative record label he helped to found, and their main act, the post-punk band Joy Division. After their vocalist Ian Curtis killed himself in 1980 the band recruited another member and continued as New Order. Between them and their manager Rob Gretton, they decided to found and run their own club, the Hacienda. Peter Hook was not only New Order's bassist but also seems to have had the highest profile in hands-on management of the establishment, and despite a generous intake of various substances is well placed to chronicle the sometimes comic, sometimes sad story. Full review...
Grumpy Old Rock Star by Rick Wakeman
Rick Wakeman wrote and published a more conventional autobiography, Say Yes! in 1985, and it has so far never been updated. This, written with the aid of ghost-writer Martin Roach, takes a totally different approach, being a selection of episodes from his sixty years in more or less random order. In theory it might seem rather disjointed, but in practice it works brilliantly. Full review...
Karlology by Karl Pilkington
The Radio Five film critic Mark Kermode has a rule when reviewing comedies. If he laughs more than five times then the film deserves its billing as a comedy. If that rule was applied to Karl Pilkington's new book Karlology then it would easily fit into the category for there are laugh aplenty in this strange, amusing and charming little book. Full review...
How to Write Great Screenplays: And Get Them into Production by Linda M James
Over my time at university I've sat on a few scriptwriting modules. I'm currently working on a couple of projects with my scriptwriting partner, with whom I've already completed a pilot TV show. So it was nice to be asked to review this book and get some more insight into this field of writing.
I've probably read most every book on Creative Writing that you've ever heard of and a lot that you're probably not aware of. When it comes to scriptwriting, there really is only one book that's worth comparing anything else in the field with: Robert McKee's Story. It's so heavily touted that I've seen it recommended by experts in novel writing – a quite different craft. Full review...