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{{newreview<!-- Bray -->[[image:Bray Titania.jpg|left|authorlink=https://www.amazon.co.uk/gp/product/184365329X?ie=UTF8&tag=thebookbag-21&linkCode=as2&camp=1634&creative=6738&creativeASIN=184365329X]] ===[[Titania and Oberon by Jo Manton, Phyllis Bray and David Buckman]]===|title=Titania and Oberon|rating=[[image:4.55star.jpg|genrelink=Category:{{{rating}}} Star Reviews]] [[:Category:Confident Readers|Confident Readers]], [[:Category:Art|Art]] |summary=''Equus'', ''Waiting for Godot'' and ''A Mid-summer Night's Dream'' – three very distinctive plays, and my favourite three, out of which you won't often get me choosing just one. But were I to do so, it might actually be the last, for the simple reason I would delight in playing any and all characters from it. Yes, I know Hermia and Helena look a bit implausible now – but I put it to you stranger things happen on stage… Some of the strangest things involve a player himself, a lowly actor who gets given an ass's head and is forced to be the enamoured of a fairy queen. It's this section of the play that this book concentrates on, in quite stunning form.[[Titania and Oberon by Jo Manton, Phyllis Bray and David Buckman|Full Review]]|amazonuk=<amazonuk>184365329X</amazonukbr>}}