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The debate is never-ending about how much of the author's life we can find in their pages, and what bearing every circumstance of their lot had on their output. Things perhaps are heightened when they do a Hemingway or a Greene and travel the world, but so often they have had a cause to stay in one place and write. Does that creative spirit survive in the walls and air of the room they worked in, and do those four walls, or the view, feature in the books? And does any of this really matter in admiring the great works of literature? Well, this volume itself kind of relies on that as being the case, but either way it's a real pleasure. [[Rooms of One's Own: 50 Places That Made Literary History by Adrian Mourby|Full Review]]
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===[[Tragic Shores: A Memoir Of Dark Travel by Thomas H Cook]]===
[[image:4star.jpg|link=Category:{{{rating}}} Star Reviews]] [[:Category:Travel|Travel]]
I have known of ''dark tourism'' as a thing - a specific pursuit of travel to specific places associated with death and suffering - for quite a while. The first genuine example I encountered were tours of the Chernobyl zone, which seemed a tad ghoulish but as Chernobyl's ''actual'' death toll was relatively low, I let this one slide in my consciousness. And having grown up in a country whose modern history sometimes seemed to contain nothing but martyrology it wasn't always easy to distinguish between more old-fashioned visiting of places of memory and this other thing that has been both practiced and studied as ''dark tourism'' proper. [[Tragic Shores: A Memoir Of Dark Travel by Thomas H Cook|Full Review]]
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