Changes

|summary= I've always believed that places and buildings absorb what happens within them and reflect it back; this is how we can tell that a sacred space is sacred. Cate Morris believes a similar thing, she believes that ''A house absorbs happiness, it blooms into the wallpaper, the wood of the window frames, the bricks: that's how it becomes a home.'' She is having these thoughts as she packs up her home. She has to leave. A combination of circumstances means that is not only redundant, but also homeless. With nowhere else to go, she has called on her late husband's family for help. Just for a few weeks.

|summary=I looked at the calendar the other week, and disappointedly realised I have a birthday this year – I know, yet another one. It won't be one of the major numbers, but the time when I have the same number as Heinz varieties looms on the horizon. And then a few of the big 0-numbers, and if all goes well, I'll be an OBE. (Which of course stands for Over Bloody Eighty.) Now if that's the extent of my mid-life crisis, I guess I have to be happy. Our author here doesn't use that exact phrase, but he might be said to be living one. Determined to find out how to prolong life for as long as he wants – he would like to see 400 – he hops right into bed with the assistant to the first geneticist he interviews, and they end up with a child, which is at least a way of continuing the life of his genes, and a motive to keep on goingongoing. But how can he get to not flick the 'final way out' switch, especially when foie gras tastes so nice?

|summary=Those who have known Alexander Wainwright, the landscape artist famous for his Turner prize -winning ''The Hay Wagon'', and Rinaldo, the renowned conceptual artist would say that they're chalk and cheese, if not sworn enemies. If you've watched the relationship, as has our narrator, art dealer Jamie Helmsworth, you'd have said that they were magnets, drawing and repulsing each other in equal measure. Wainwright was at the socially acceptable end of the artistic continuum, but with Rinaldo , it was all too obvious that there was but a fine dividing line between conceptual art and public nuisance. As time has worn on, he's frequently been brought to the attention of the police. On this latest occasion , we see him charged with arson and theft of ''The Hay Wagon''.

|summary=Pablo, a college drop-out, is working at a New York bodega. He's massively in debt, he's avoiding his mother, and he finds his joy in creating unusual snacks with random ingredients! Whilst working one evening, he's surprised to discover that the girl he is chatting with as he serves is a super-famous pop star and, as unlikely as it may seem, they start a relationship. With one character who is trying very hard not to be seen or noticed by anyone, and the other who is seen and followed and hounded by everyone all over the world, it's an interesting clash as they come together. This isn't just a love story though, and actually it's really just Pab's story, about the journey he takes in his life via his meet-up with Leanna Smart.

Berlin, 1989. Miriam is in the middle of a city freshly united, with the Wall newly broken down and people able to cross at liberty for the first time in decades. She is in the middle of such euphoria, but cannot feel it, for she has not left her father's apartment in weeks, nursing him as he lies dying. One standard bed-bath, however, is very different, when he gasps the name ''Frieda'' that she does not recognise – and she sees for the first time ever a tattoo for his camp inmate identity under his watch. One bombshell outside, then, and two inside. And inside her father, Henryk, what is going on, as he has a first -person narrative alternating with her story? What will we find happened, as he remembers back to the real Frieda, a young woman that shook him to the core when he was her literature professor? That's right, more bombshells… [[The Rabbit Girls by Anna Ellory|Full Review]]