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The Book Thief by Markus Zusak (view source)
Revision as of 11:22, 12 August 2020
, 11:22, 12 August 2020no edit summary
However, it is worth persevering. Once accustomed to the artful style, I found ''The Book Thief'' quite enchanting. Life has not been at all kind to Liesel and I suppose you could call her an honourable book thief. She really only steals to find something - words - that should, in any case, be hers by right. The main theme, of course, is that while words can enslave you, they can also set you free, and there are some wonderful metaphors in the book illustrating this. Max, the Jewish refugee hiding in the Hubermann's basement, is saved from the authorities on his journey to reach them by a copy of Mein Kampf, for example. It's also wonderfully humane - reading, you feel as sorry for the rabid Nazi shopkeeper who loses two sons in the war as you do the Jewish prisoners marched through the streets on their way to Dachau.
After the initial struggle to get past the first few pages and into the narrative, I really enjoyed ''The Book Thief''. Its pace and tension accelerates steadily throughout and I read the last third of the book with real anticipatory trepidation. I enjoy word playwordplay, even if it is overdone and self-conscious, and I can see how the book has found its mark with so many adolescents. Pleasingly, it also speaks of the redeeming power of books and the value of an independence of thought and blurs the boundaries between good and evil - an important thing for any adolescent to come to terms with. However, it is stylistically over-egged and this probably refines its appeal to the bookish amongst us. Some - especially reluctant readers - may simply find ''The Book Thief'' pretentious. For even the most confident of under elevens, aside from the potentially troublesome subject matter and the swearing and smoking, the style is probably too dense.
This is another book being marketed to both the teen and adult markets. Despite its six hundred pages and surreal imagery, ''The Book Thief'' is, in Bookbag's view, very much a book for teenagers, but it has more than enough about it to be worth an afternoon or two of any adult's time.
Another book for older children that confronts prejudice and is full of imagery is [[The Fire Eaters]] by David Almond and Sonya Hartnett's [[The Silver Donkey]] has an equally unusual take on children and war.
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