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{{newreview
|title=A Love Like Blood
|author=Marcus Sedgwick
|rating=4.5
|genre=Horror
|summary=One day towards the end of World War Two, Charles Jackson is dragged to a museum of antiquities just outside a newly liberated Paris by his commanding officer during their downtime. While the other looks at the unusual ancient artefacts, Jackson finds something much more horrific – a man in a wartime bunker in the grounds, squatting over a female figure, blood on his lips that could only have come from her neckline. Years later, Jackson returns to Paris for reasons to do with his medical career, and finds the same man in the company of someone who, were he only aware of the fact, is to become the first and possibly only love of his life. But that's not the only time the paths of Jackson and the mysterious male are destined to cross – the prologue was set in the late 1960s…
|amazonuk=<amazonuk>144475193X</amazonuk>
}}
 
{{newreview
|title=Curses and Smoke
|summary=India Bentley's father went missing looking for oil in Siberia. Except it wasn't just oil he was searching for - rather, he was trying to find the lost fortress of Ironheart, whose old world secrets could save humanity - or destroy the world. When she meets tech-hunter Verity Brown and her android bodyguard Calculus, India manages to become involved in a daring adventure with some seriously unsavoury characters. Can she save her father, and the world?
|amazonuk=<amazonuk>1447235991</amazonuk>
}}
 
{{newreview
|title=Clever Girl
|author=Tessa Hadley
|rating=4
|genre=Literary Fiction
|summary=Stella grows up with her single mother in Bristol in the 1960s; her father left when she was a baby, but her mother has cultivated the convenient myth that he died. In the stand-alone first chapter, Stella recounts a disturbing incident of domestic violence that affected her Aunt Andy. Sordid snippets from the ensuing court case stay with Stella over the years; 'Innocent-seeming fragments would get in past my defences…then stick to my imagination like tar.' Even so, the novel that follows is about the way in which we engage with memory – facts that linger versus those we, deliberately or subconsciously, choose not to tell.
|amazonuk=<amazonuk>0099570521</amazonuk>
}}