132,957
edits
Changes
no edit summary
Right from the start you'll ''understand'' Schaeffer. There is no part of him which can give up on the search for Amber. He doesn't care what risks he takes - or forces on to other people. He's never got over the anger stage of loss - in fact you sense that he's determined to keep a fire burning under his feelings. He ''can't'' - ''won't'' give up. His wife has done her best to move on, for their son's sake, but Oliver doesn't matter to Schaeffer, other than theoretically, and he resents the time he feels obliged to spend with him as it takes him away from the search. It's a superb depiction of a man on the edge. The impact of losing a child in these circumstances is unimaginable, but Adam Hamdy delves deeper than the stories we see in the tabloids and catches the very essence of the horror.
The plot is good too. The pace never slackens for a minute and there's no sense of Schaefer having a safe haven or people whom he can trust. The more you find out about Schaefer, the less you'll like him, but you'll never quite be able to kill your sympathy or stop hoping that he'll find Amber. The issue of cults and the dark arts is handled sensitively and not over-worked, which would have been an easy trap to fall into. The story twists and turns and it always happens before you see it coming - and there's a brutal twist at the end which will leave you gasping. We first experienced Hamdy's skills with in [[Battalion by Adam Hamdy|Battalion]] - an espionage thriller - and it's exciting to see him extend his talents beyond that genre. Hamdy He can certainly write action
You'll need to get past the cover of the book - the dark grey printing on a black background doesn't work for me - and a more effective proofreading would help the reading experience, but if the dark thriller genre appeals to you then you could enjoy this book.