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[[Category:Fantasy|*]]
[[Category:New Reviews|Fantasy]] __NOTOC__ <!-- Remove -->
{{newreview
|author=Joe Abercrombie
|title=Sharp Ends
|rating=4
|genre=Fantasy
|summary=I often feel that short stories are an indulgence on the part of the author, they get to write down a lot of their ideas that don't really fit into a larger story. The stop/start nature of them never sits well with me, just as I am starting to get to know a character they are gone. One way of solving this would be to use characters that a fan will already know; perhaps explore the past, or the future. That sounds great for a fan, but how do you do this whilst also catering for a new reader?
|amazonuk=<amazonuk>0575104678</amazonuk>
}}
{{newreview
|author=David Sanger
|summary=17 year old Dea has been to several schools in several towns, moving with her mother as if pursued. It's always the same. She'd make a friend and then the rumours would start about how she and her mum were crazy and the friend wouldn't talk to her. Dea isn't crazy. She becomes curiously ill from time to time but she has a cure: walking through people's dreams. There are rules that keep her safe when she's doing this but when Connor moves in to the neighbourhood the rules become far less important and that's when Dea's life becomes far more dangerous.
|amazonuk=<amazonuk>1473621003</amazonuk>
}}
{{newreview
|author=Ari Marmell
|title=Hallow Point
|rating=2.5
|genre=Fantasy
|summary=The first person perspective is not an easy one to pull off in fiction. Despite this, it has been a favourite of the gumshoe genre as getting behind the eyes of a grizzled Private Investigator as they solve crimes and fall for femme fatales is incredibly satisfying if done well. All this is achievable, but what if you throw urban fantasy in too? Now you have a book that has to explain crime in the first person, but also magic and in the case of ''Hallow Point'', 1930s Chicago slang.
|amazonuk=<amazonuk>1781168253</amazonuk>
}}