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{{infoboxinfobox1
|title=I, Hogarth
|author=Michael Dean
|publisher=Gerald Duckworth & Co Ltd
|date=June 2014
|amazonuk=<amazonuk>0715647512</amazonuk>
|amazonus=<amazonus>0715647512</amazonus>
|website=http://www.ducknet.co.uk/general/title.php?titleissue_id=641
|video=
|summary=Hogarth's epoch-defining paintings and engravings, such as Gin Lane and The Rake's Progress, are renowned. He was London's painter par excellence, and supplies the most enduring vision of the eighteenth century's ebullience, enjoyments and social iniquities.
|cover=0715647512
|aznuk=0715647512
|aznus=0715647512
}}
How similar in many ways was Hogarth’s London in the middle of the Eighteenth Century to the London of today. A city where it was easy enough to end up in debtor’s prison, as indeed did Hogarth’s beloved and unworldly father, having been condemned to the Fleet; a sad fate for a brilliant Latin scholar and writer of erudite texts. He opened a Latin speaking coffee house in St John’s Gate. Here the governor and authorities were open to high levels of corruption, as later in Dickens time and very reminiscent of the scandals of G4S today.