132,927
edits
Changes
The Indomitable Chiesa di Santa Maria by Daniel Peltz (view source)
Revision as of 13:28, 8 April 2018
, 13:28, 8 April 2018Created page with "{{infobox1 |title=The Indomitable Chiesa di Santa Maria |sort=Indomitable Chiesa di Santa Maria |author=Daniel Peltz |reviewer=Sue Magee |genre=Historical Fiction |summary=A c..."
{{infobox1
|title=The Indomitable Chiesa di Santa Maria
|sort=Indomitable Chiesa di Santa Maria
|author=Daniel Peltz
|reviewer=Sue Magee
|genre=Historical Fiction
|summary=A cracking story which seamlessly joins history and fiction to make something special. Suspend your annoyance about the lack of adequate proofreading - it's worth the effort.
|rating=4
|buy=Yes
|borrow=Yes
|pages=408
|publisher=Book Guild Publishing
|date=October 2017
|isbn=978-1912083770
|cover=1912083779
|aznuk=1912083779
|aznus=1912083779
}}
When we first visit the Chiesa di Santa Maria we're in the company of Molly Cavendish who is a part-time guide at the Museo di Santa Maria, which is what the ruins of the Chiesa - a chapel - have now become. Crowds flock to see its centrepiece, a renaissance fresco with a history which grabs the attention of young and old. Molly uses the history to entertain the tourists, but there's more too it than she knows, particularly as the history of the building is also the history of the Vannini family, who helped in building the chapel some six hundred years ago and one of whose descendants is the director of the museum.
I was a little bit nervous about reading ''The Indomitable Chiesa di Santa Maria'': a ''novel'' about a ''building''. How was that going to work? But, the Chiesa di Santa Maria is on the banks of the Arno in Florence and Florence has always been one of my favourite cities, so, in need of some Tuscan sunshine, I gave it a go. I'm glad I did, because it's a cracker of a story, but I have some gripes and I'll get them out of the way first.
The book needs both copy editing and proofreading, the first to remove such problems as Molly Cavendish passing exams in the 21st century when they were phased out in the nineteen eighties, or having a father who has been the local priest for decades, is a devout Catholic and married. There's also some ugly sentence structure, particularly in the early part of the book and I lost count of the omitted and misused words and grammatical errors. It was ''frustrating'' to have to reread sentences, or even paragraphs, to work out what was meant. It was ''annoying'' to have a really good story spoiled by something which could so easily have been put right.
And it is a really good story. If you can suspend your annoyance about the lack of adequate proofreading, it's worth the effort as not only the Chiesa di Santa Maria but the city of Florence is brought brilliantly to life over a period of about six hundred years, beginning with the commissioning of the building which was never properly completed, through the traumas of invasions by the Napoleonic army and the Germans in World War II and then the catastrophic flood of 1966. I came to really ''care'' about the building, which was unloved for hundreds of years, but finally came into its own.
Daniel Peltz has the academic background for the story but wears it lightly: you'll learn a lot from the book about the art and history of Florence, but you'll never feel that you're being lectured. He seamlessly joins fact and fiction and brings his characters (some real, some fictional) to glorious life, which is no mean feat when you think that much of the book is a series of interlinked short stories.
I'd like to thank the publishers for sending a copy to the Bookbag.
If you'd like to know more about Florence when the Chiesa di Santa Maria was being built we can recommend [[The Black Prince of Florence: The Spectacular Life and Treacherous World of Alessandro de' Medici by Catherine Fletcher]]. If you're going to Italy and want to see the art as opposed to the tourist attractions then you might find [[101 Places in Italy : A Private Grand Tour by Francis Russell]] useful, but you'll get a more comfortable trip round Florence from reading ''The Indomitable Chiesa di Santa Maria''.
{{amazontext|amazon=1912083779}}
{{amazonUStext|amazon=1912083779}}
{{commenthead}}
|title=The Indomitable Chiesa di Santa Maria
|sort=Indomitable Chiesa di Santa Maria
|author=Daniel Peltz
|reviewer=Sue Magee
|genre=Historical Fiction
|summary=A cracking story which seamlessly joins history and fiction to make something special. Suspend your annoyance about the lack of adequate proofreading - it's worth the effort.
|rating=4
|buy=Yes
|borrow=Yes
|pages=408
|publisher=Book Guild Publishing
|date=October 2017
|isbn=978-1912083770
|cover=1912083779
|aznuk=1912083779
|aznus=1912083779
}}
When we first visit the Chiesa di Santa Maria we're in the company of Molly Cavendish who is a part-time guide at the Museo di Santa Maria, which is what the ruins of the Chiesa - a chapel - have now become. Crowds flock to see its centrepiece, a renaissance fresco with a history which grabs the attention of young and old. Molly uses the history to entertain the tourists, but there's more too it than she knows, particularly as the history of the building is also the history of the Vannini family, who helped in building the chapel some six hundred years ago and one of whose descendants is the director of the museum.
I was a little bit nervous about reading ''The Indomitable Chiesa di Santa Maria'': a ''novel'' about a ''building''. How was that going to work? But, the Chiesa di Santa Maria is on the banks of the Arno in Florence and Florence has always been one of my favourite cities, so, in need of some Tuscan sunshine, I gave it a go. I'm glad I did, because it's a cracker of a story, but I have some gripes and I'll get them out of the way first.
The book needs both copy editing and proofreading, the first to remove such problems as Molly Cavendish passing exams in the 21st century when they were phased out in the nineteen eighties, or having a father who has been the local priest for decades, is a devout Catholic and married. There's also some ugly sentence structure, particularly in the early part of the book and I lost count of the omitted and misused words and grammatical errors. It was ''frustrating'' to have to reread sentences, or even paragraphs, to work out what was meant. It was ''annoying'' to have a really good story spoiled by something which could so easily have been put right.
And it is a really good story. If you can suspend your annoyance about the lack of adequate proofreading, it's worth the effort as not only the Chiesa di Santa Maria but the city of Florence is brought brilliantly to life over a period of about six hundred years, beginning with the commissioning of the building which was never properly completed, through the traumas of invasions by the Napoleonic army and the Germans in World War II and then the catastrophic flood of 1966. I came to really ''care'' about the building, which was unloved for hundreds of years, but finally came into its own.
Daniel Peltz has the academic background for the story but wears it lightly: you'll learn a lot from the book about the art and history of Florence, but you'll never feel that you're being lectured. He seamlessly joins fact and fiction and brings his characters (some real, some fictional) to glorious life, which is no mean feat when you think that much of the book is a series of interlinked short stories.
I'd like to thank the publishers for sending a copy to the Bookbag.
If you'd like to know more about Florence when the Chiesa di Santa Maria was being built we can recommend [[The Black Prince of Florence: The Spectacular Life and Treacherous World of Alessandro de' Medici by Catherine Fletcher]]. If you're going to Italy and want to see the art as opposed to the tourist attractions then you might find [[101 Places in Italy : A Private Grand Tour by Francis Russell]] useful, but you'll get a more comfortable trip round Florence from reading ''The Indomitable Chiesa di Santa Maria''.
{{amazontext|amazon=1912083779}}
{{amazonUStext|amazon=1912083779}}
{{commenthead}}