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===[[William Shakespeare's Much Ado About Mean Girls by Ian Doescher]]===
 
[[image:2.5star.jpg|link=Category:{{{rating}}} Star Reviews]] [[:Category:Humour|Humour]]
 
A long time ago, in a galaxy far away, all the Star Wars films were crunched up against Shakespeare, and the marriage seemed a perfectly suitable one. So much so – so easily did the plots and characters converse in Shakespearean dialogue, and behave with Shakespearean stage directions – that the producers tried again, with [[William Shakespeare's Get Thee Back to the Future! by Ian Doescher|Back to the Future]] no less. And that worked. But simultaneously they put a real test out. A film I can't even really remember seeing was transcribed into the original Elizabethan lingo. A cult following I had never followed whatsoever was given the brand new, yet oh so ancient, dressing. Here was the true challenge – would I manage to enjoy this, based on little foreknowledge? Oh damn those shiny gold stars for letting the game away… [[William Shakespeare's Much Ado About Mean Girls by Ian Doescher|Full Review]]
 
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I first read 1984 in school, in the late seventies when 1984 still seemed like a long time in the future. It came and went quickly enough. Some of us may have breathed a sigh of relief that Orwell's nightmare had not (quite) come to pass. Others, I think, were out there already working on making sure that all he got wrong was the date. Crosskey hasn't put a date on the nightmare. If she had, I suspect it would not be as far in the future are 1984 was when I first read Orwell. If she had, I suspect it might hardly be in the future at all. A lot of what happens in ''Poster Boy'' is already happening. Sadly. Frighteningly. In the blurb, Christina Racher says "…but keep it far from anyone who might be tempted to turn its fiction into reality". My only response to that is: too late! [[Poster Boy by N J Crosskey|Full Review]]
 
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===[[Critical Incidents by Lucie Whitehouse]]===
 
[[image:4.5star.jpg|link=Category:{{{rating}}} Star Reviews]] [[:Category:Crime|Crime]]
 
When you reach a certain stage in life the phrase 'going home' when it refers to your childhood home is best if it means a short and hopefully harmonious visit. The woman who used to be DCI Robin Lyons, but was now just Robin Lyons, went home with her thirteen-year-old daughter after she was dismissed from the Met. She was going home to the room which she'd had as a child: she would have the bottom bunk and Elena - Lennie to those who knew her well - would have the top bunk. The room was redolent of the time she'd shared the room with her brother Luke - and they weren't good memories. [[Critical Incidents by Lucie Whitehouse|Full Review]]
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