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|genre=General Fiction
|rating=3.5
|summary=Violaine's publishing house has had a great success, and it was through the slush pile of unsolicited manuscripts. The three people who work in the Readers' Room to sift through what is ninety -nine per cent dross – plus the fourth advisor in her rarefied mansion up the road – all agreed the book would be a huge smash, and so it has proven. But there are several 'howevers' to that. As in, however – Violaine herself is not having life all her own way, for she has been involved in a near-fatal accident, and starts this book coming round from a coma. And, however – despite all urging, the author of the book has never once made themselves known to the publishers in person, and in fact , offered up a most peculiar statement-come-threat in their last email. What is going to befall Violaine, her memory, her staff – and how much is any of it due to the hit novel? And just where the heck did that come from?
|isbn=1910477974
}}
Berlin, 1989. Miriam is in the middle of a city freshly united, with the Wall newly broken down and people able to cross at liberty for the first time in decades. She is in the middle of such euphoria, but cannot feel it, for she has not left her father's apartment in weeks, nursing him as he lies dying. One standard bed-bath, however, is very different, when he gasps the name ''Frieda'' that she does not recognise – and she sees for the first time ever a tattoo for his camp inmate identity under his watch. One bombshell outside, then, and two inside. And inside her father, Henryk, what is going on, as he has a first-person narrative alternating with her story? What will we find happened, as he remembers back to the real Frieda, a young woman that shook him to the core when he was her literature professor? That's right, more bombshells… [[The Rabbit Girls by Anna Ellory|Full Review]]
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