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When Annie Delancey was 18 years old, she gave a baby up for adoption. That was 35 years ago, but Annie tells us she still thinks about him now and then, wondering where he is now and what he’s doing. It’s something we can only take her word for, because almost the minute we get to know Annie, something happens. She receives a letter from her now grown -up son, asking to meet her, and the pleasant world she has now built for herself, her second attempt at a family life, starts to crumble.
This is the sort of the story you read and realise nothing is ever going to be the same again for the characters. Even keeping his distance, Daniel will have a huge impact on their lives and a lot of the chapters are coming to terms with this fact and the realisation that even secrets as massive as this one can be kept hidden for years.
I was almost surprised there wasn’t more talk of adoption throughout the book – the process then, what Daniel had done now to track down Annie and so on. It was all brushed over really, as if it was so simple or mundane that it didn’t matter, and any way anyway, that was the past and the main issue now was the present. I don’t think it let lets the book down, it was just a different way of doing things and not quite what I had expected.
This was a book I fell into easily, and which I enjoyed. I was surprised I didn’t find it more emotional, though, because I felt that was what the author was going for and yet it didn’t touch me in that way. When Annie talks about her teenage self giving up Daniel as an infant, and when they then subsequently meet in adulthood, I found it quite ordinary rather than touching, though I can’t quite put my finger on what was missing.
Thanks go to the publishers for supplying this book.
[[The Red Thread by Ann Hood]] takes a really indepth in-depth look at contemporary adoption, while [[The Making of Us by Lisa Jewell]] shows us another situation when secrets about your start in life come out of the woodwork during adulthood. You might also enjoy [[A Most Desirable Marriage by Hilary Boyd]].
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