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There's only so long a child can wait, so Millie goes exploring – and that's how she meets Karl the touch typist. Karl spends a lot of his time holding a coffee cup in the store café. He has his own sad story.
And then finally there is Agatha Pantha. Agatha lived across the road from Millie. She was a crazy old woman who never leaves her house. She's allowed the garden to grow up, with weeds obscuring the windows, with just a tiny hole that she can peer through and call abuse at passers-by. She measures her aging ageing in very precise minutes of the day and names her chairs by what she does when she sits in them. Maybe Agatha has a sad story too.
Brooke Davis lost her own mother in quite traumatic circumstances, and as she tells it the whole book is about grief, largely about her writing through, writing out, her own grief. On several levels that is undoubtedly true, but don't let it stop you reading the book.