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[[Category:New Reviews|Autobiography]]__NOTOC__ <!-- Remove -->
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{{Frontpage
|author=Edel Rodriguez
|title=Worm: A Cuban American Odyssey
|rating=4
|genre=Graphic Novels
|summary=We're in childhood, and we're in Cuba. The revolution has happened, and Castro, first thought of as a saviour of the country, has proven himself a Communist, and not done nearly enough to create a level playing field for all. Well, those hours-long speeches of his were kind of taking his time away. Our narrator's family weren't in the happiest of places here, an uncle refusing to be the good soldier the country demanded (especially as he would probably be shipped off to some minor pro-Communism skirmish, such as Angola) and the father being watched and watched, and not liked for his successful photography business, success being frowned upon. The mother gets the couple jobs with the party to ease some of the heat, but in this sultry island country, it remains the kind of heat forcing you out of the kitchen…
|isbn=1474616720
}}
{{Frontpage
|isbn=1035025299
|genre=Autobiography
|summary=For those of you who have read books of life in the Nazi camps – and of course, for those of you who have not – this can be considered a next step. It begins, after all, with someone escaping Dachau and fleeing her work assignment during a bombing raid, and you'd not blame her one minute, as her career was deemed to be cess-tank cleaner and sewage unblocker by the Germans. In Munich, she stumbles on help to get her to what seems to be a camp for non-native civilians to look for work, or company, or transport elsewhere, either official or otherwise. But then the next chapter sees her going back into the camp next to Dachau once more, and by then eyebrows are being raised.
}}
{{Frontpage
|isbn=Walton_Ask
|title=Ask For Blues
|author=Malcolm Walton
|rating=3.5
|genre=Autobiography
|summary=Malcolm Walton's book is clearly a memoir about his introduction to the Trad Jazz scene of the late 1950s and early 1960s, but he has chosen to write it in the form of a novel, claiming in his prologue that this would give the book a different approach to the music memoir. His protagonist 'Martin' takes on Malcolm's mantle and begins with his first discovery of the Salvation Army band with his grandfather. This catapults him into a love of music, initially taking piano lessons, and later delving into his true love – the trumpet.
}}
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