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|summary=For part of my formative years, John Lennon was one of the four most famous people in the world. All that we have learnt about him in the thirty years or so since his death has kept his name firmly in the public eye, if not always for the best of reasons. At over 800 pages, this is one of the lengthiest biographies written about the extraordinary life and times of the former Beatle. It's also surely one of the most impartial.
|amazonuk=<amazonuk>000719742X</amazonuk>
}}
 
{{newreview
|author=Donald Spoto
|title=Possessed: The Life of Joan Crawford
|rating=3.5
|genre=Entertainment
|summary=Thanks to the memoir 'Mommie Dearest' by her adopted daughter Christina, the enduring image of movie star Joan Crawford is one of an alcoholic, sadistic monster. Spoto clearly believes that this portrait is a gross exaggeration, and is at pains to rectify the balance. Having previously written biographies of Alfred Hitchcock and Marilyn Monroe among others, he clearly knows the subject of cinema inside out, and has written a very thorough chronicle of Crawford's career. The impression the reader is left with, however, is that in looking at her family life and art he has perhaps striven too far to present her as a person more sinned against than sinning, a legendary talent, beauty and above all a grossly maligned adoptive mother.
|amazonuk=<amazonuk>0091931274</amazonuk>
}}
 
{{newreview
|author=Keith Richards
|title=Life
|rating=4.5
|genre=Entertainment
|summary=Nearly forty years ago, Keith Richards was considered the next most likely rock'n'roll star to succumb to drugs. The man has defied all the odds in staying alive, and continuing to do what he has been doing for almost half a century. In the process, he has earned the sometimes grudging, sometimes unqualified respect of those who would once never given him the time of day.
|amazonuk=<amazonuk>0297854399</amazonuk>
}}
 
{{newreview
|author=Christopher Isherwood
|title=Diaries Volume 1
|rating=4
|genre=Autobiography
|summary=In January 1939 Christopher Isherwood left England for America in the company of poet WH Auden. This hefty volume covers his diaries from that date until August 1960, when he celebrated his fifty-sixth birthday. A 49-page introduction setting out the background leads us into the entries, which are divided into three sections – The Emigration, to the end of 1944; The Post-war Years, to 1956; and The Late Fifties. After these we have a chronology and glossary, or to put it more accurately a section of brief biographies of the main characters mentioned, these two sections comprising over a hundred pages altogether.
|amazonuk=<amazonuk>0099555824</amazonuk>
}}
 
{{newreview
|author=Eric Siblin
|title=The Cello Suites: In Search of a Baroque Masterpiece
|rating=3.5
|genre=Entertainment
|summary=At the end of the 20th century Eric Siblin was a rock and pop critic for the 'Montreal Gazette'. This, he says, was, a job which filled his head 'with vast amounts of music, much of which I didn't want to be there'. Aware that there were vast horizons crying out to be explored, he went out one night to hear a recital from the Boston cellist Lawrence Lesser, featuring the solo cello suites of Bach. The contrast between hearing one solitary performer playing a simple wooden cello for an audience a fraction of the size could have hardly been more different to the stadium style gigs he had been covering regularly until then. About three years earlier, he had reviewed a show by U2, noting that for the 52,000 fans who attended and 'wanted to see more than four Lilliputian musicians making huge noises...technology blew everything out of proportion.' The inevitable hate mail soon rolled in.
|amazonuk=<amazonuk>0099546787</amazonuk>
}}
 
{{newreview
|author=Lindsay Reade
|title=Mr Manchester and the Factory Girl: The Story of Tony and Lindsay Wilson
|rating=4
|genre=Entertainment
|summary=Mr Manchester, as Tony Wilson came to be known, could have been the next John Humphrys. Instead he ended up becoming the next Malcolm McLaren – or, perhaps, a far less successful version of Richard Branson. After graduating from Cambridge University with a degree in English he became a trainee news reporter for ITN, and for much of his life he worked as an anchorman for regional evening news programmes. Yet he is less remembered for this than for his championship of alternative music and punk rock, founding of Factory Records and involvement with the Hacienda Club. Although he loved the Beatles and folk music in general, he disliked much of the contemporary music scene until he saw the Sex Pistols live in the summer of 1976.
|amazonuk=<amazonuk>0859654567</amazonuk>
}}
 
{{newreview
|author=Larry Stempel
|title=Showtime: A History of the Broadway Musical Theater
|rating=4
|genre=Entertainment
|summary=Stempel is an associate professor of music at an American university so I would imagine that this book is primarily a labour of love. In the Preface Stempel bemoans the loss of important research material over the years, whether it be musical scores, playbills or similar. It happens. It is a fact of life. Simply thrown away or discarded as being considered not important. It's only a musical, after all. A bit light and frothy. Stempel thinks otherwise - and takes his time telling us exactly why.
|amazonuk=<amazonuk>0393067157</amazonuk>
}}
 
{{newreview
|author=Peter Doggett
|title=You Never Give Me Your Money: The Battle for the Soul of the Beatles
|rating=5
|genre=Entertainment
|summary=When four young Liverpudlians got together to make music in the early 1960s, they can have had no idea of their future impact on the world around them. Likewise they would surely not have had an inkling of the extraordinary business minefield which their existence as a group would create, and which would leave the scars long after they had gone their separate ways, even after two of them had died. As at least one of them ruefully commented, they must have provided several lawyers' children with a very expensive education.
|amazonuk=<amazonuk>0099532360</amazonuk>
}}
 
{{newreview
|author=Alan Davies
|title=Teenage Revolution: Growing Up in the 80s
|rating=3.5
|genre=Autobiography
|summary=Born in 1966, Alan Davies grew up in Essex, the son of a staunchly Conservative-voting father and a mother who died of cancer when he was only six. It was a childhood dominated at first by 'Citizen Smith' and the other TV sitcoms, 'Starsky and Hutch', 'Grease', Barry Sheene, the Barron Knights, and Debbie Harry. The book begins at 1978, ''the year I started venturing out more'', and finishes at 1988, when he graduated from Kent University to find that stand-up comedy could be an alternative to finding a job where he would have to do what he was told.
|amazonuk=<amazonuk>0141041803</amazonuk>
}}
 
{{newreview
|author=Clinton Heylin
|title=Still on the Road: Songs of Bob Dylan, 1974-2008
|rating=4.5
|genre=Entertainment
|summary=Heylin is also obviously a fan, a very knowledgeable and obsessive one to boot. He has never met or directly interviewed his subject (who is known to guard his privacy quite fiercely most of the time), but his research materials include official recording sessionographies and interviews conducted by others. All this is naturally invaluable information for his analysis and history of all the 600-plus songs the man is known to have written or co-written from 1974 to almost the present day. In terms of his discography, that spans the albums from ‘Blood on the Tracks’, released in 1975 and commonly regarded as probably his best post-1960s set, to ‘Together Through Life’, which appeared in 2009.
|amazonuk=<amazonuk>1849010110</amazonuk>
}}
 
{{newreview
|author=Marina Hyde
|title=Celebrity: How Entertainers Took Over The World and Why We Need an Exit Strategy
|rating=3.5
|genre=Entertainment
|summary=I have what is perhaps a regular-sized interest in A and B-list celebrities. I can name the off-spring of many an actress, tell you who the spokespeople for certain brands are, write a list of celebs with publicly declared devotions to certain religions, even win the odd pub quiz thanks to knowing the birth names of various performers. I know all sorts of things about this rather small subset of society, but I know the ''what'' more than the ''why'', and that's exactly the problem, according to this book. After all, if more of us sat down to wonder about what it actually ''is'' that the likes of Geri Halliwell and Nicole Kidman bring to the UN, we might seriously question how and why they ever got involved in the first place.
|amazonuk=<amazonuk>0099532050</amazonuk>
}}