Open main menu

Changes

no edit summary
'''Read [[Features|new features]].'''
 
{{newreview
|author=Mark Goldblatt
|title=Twerp
|rating=5
|genre=Confident Readers
|summary=Julian Twerski did something bad. So bad, that it got him suspended from school. When he returns, his English teacher asks him to write a journal about it, in exchange for getting out of doing a report on Shakespeare. Julian reluctantly accepts - but would rather be writing about sending love letters for a friend, blowing up fireworks, or pretty much anything else except telling Mr Selkirk about what he wants to hear.
|amazonuk=<amazonuk>0375971424</amazonuk>
}}
{{newreview
|summary=Good and bad luck combined have forced Irene and her family – mother Simone and insular younger brother Dorian – to live in the Normandy village of Blue Bay. It's a way to relieve the poverty her deceased father left them in, as Simone is now housekeeper to Lazarus Jann, a mysterious elderly businessman who lives in a mansion peopled by countless automata, and the isolated shell of what used to be his healthy wife. Irene herself has met the maid's brother, which the village network has immediately inflated into a long-term romance. Dorian is happy enough to be errand-boy for Jann's peculiar correspondence. So far, so interesting. But is there a dark secret to be had with the clockwork toys keeping Jann company? Is the tale of a ghost on the lighthouse islet true? And what else could be implied in the book's very title? In such a small village, for anyone to hold a secret it has to be very big, and very powerful…
|amazonuk=<amazonuk>1444001655</amazonuk>
}}
 
{{newreview
|author=Polly Morland
|title=The Society of Timid Souls: Or, How to be Brave
|rating=3.5
|genre=Reference
|summary='I see no reason why the shy and timid in any community couldn’t get together and help each other.'
 
The above words were uttered in 1943 by a gentleman called Bernard Gabriel. Mr Gabriel was a piano player who founded a unique club, ''The Society of Timid Souls'' that encouraged timid performers and fear-wracked musicians to come in out of the cold 'to play, to criticise and be criticised in order to conquer that old bogey of stage fright.' The method evidently worked, as many a timid soul claimed to be cured by these unorthodox methods and club membership grew considerably in the years that followed.
|amazonuk=<amazonuk>1781251908</amazonuk>
}}