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{{newreview
|title=The Weasel Puffin Unicorn Baboon Pig Lobster Race
|author=James Thorp and Angus Mackinnon
|rating=4
|genre=For Sharing
|summary=I really enjoyed this book, but it is pretty clear from the outset, that this book will not be everyone's cup of tea. I'm just waiting for it to make an appearance on the banned or challenged books lists ( I read them regularly and get many of my best books from them). Curious George has been challenged more than once for being having a pipe in one illustration, but Weasel in this book is never without his. Coupled with the surreal, psychedelic images and the dream like quality of this book - there are sure to be complaints, but I don't think the author or illustrator will mind. I can't imagine this book being written or illustrated by anyone who gives a fig about political correctness. And in all honesty, there is nothing in this book that children are going to take the wrong way. The illustrations in this book are not going to make a child smoke a pipe anymore than they will make them try to go swimming in the fish tank. But if you prefer more mainstream children's books you might want to give this one a miss.
|amazonuk=<amazonuk>1909428027</amazonuk>
}}
{{newreview <!-- 31/8 -->
|summary=Fridrik, Agnes and Sigridur are accused of murdering two men one Icelandic night in 1829 before setting fire to their home. Now Agnes awaits execution, imprisoned in the farm of a lowly local family who, rumour has it, wouldn't be too great a loss if the prisoner becomes dangerous. Margrit Jonsdottir (the farmer's wife) doesn't feel threatened and sets the shocked, malnourished Agnes to work. Gradually Agnes reveals the events of that night to Margrit and Toti, a young priest. Her version seems to be a little different from what everyone else concluded, predictably… Or perhaps not so predictably.
|amazonuk=<amazonuk>1447233166</amazonuk>
}}
 
{{newreview
|title=Sounds like London: 100 Years of Black Music in the Capital
|author=Lloyd Bradley
|rating=4.5
|genre=Entertainment
|summary=As Lloyd Bradley points out in the introduction to this book, if you stand long enough on any street corner in London today, you will hear music. More often than not it will be black music, whether it is dubstep, hip hop, reggae or any other genre. Once it was in effect the original ‘underground music’ long before the term was ever recognised, it gradually became the mainstream – and here we find out how.
|amazonuk=<amazonuk>1846687616</amazonuk>
}}