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[[Category:New Reviews|Entertainment]] __NOTOC__ <!-- Remove -->
{{newreview
|author=Paul Ruditis
|title=Battlestar Galactica Vault: The Complete History Of The Series, 1978-2012
|rating=4
|genre=Entertainment
|summary=For those who don't know, or can't remember, ''Battlestar Galactica'' was a '70s piece of American sci-fi TV, launched to great acclaim as a parallel to the rather similar ''Star Wars'' with a full-on TV movie, then one lengthy season of hour-long adventures, that even had Fred Astaire playing a bit part before audiences dwindled and the show died out. It shot itself in the foot with a sort-of sequel soon afterwards, then languished for decades before two crafty creatives found a way to put more meat on the bones, and to marry the show with much more modern sensibilities. It's not a programme I would necessarily have entered a 'vault' for, as I was only a fan of the original, and possibly only then as opposed to now. I've not seen a ''BSG'' entity since my youth – but I know a heck of a lot about what I have pushed to the back of my mind since then, courtesy of these pages.
|amazonuk=<amazonuk>1781313350</amazonuk>
}}
 
{{newreview
|title=The Art of Noir
|summary=Like many English sports fans, the majority of the calories I burn are used up by shouting at the TV and occasionally going to the shops for more beer and crisps. Sports books tend to be about the sport itself or biographies of those who expended great effort to reach the top of their chosen sport. But in Martin Kelner's 'Sit Down and Cheer: A History of Sport on TV', there is finally a book for the less energetic among us.
|amazonuk=<amazonuk>140812923X</amazonuk>
}}
 
{{newreview
|author=Peter Doggett
|title=The Man Who Sold The World: David Bowie And The 1970s
|rating=4.5
|genre=Entertainment
|summary=With hindsight, it’s difficult to argue with the oft-expressed opinion that David Bowie was the single most important rock musician of the 1970s. Having been a perpetual ‘one to watch’ from around 1966 onwards but with only one hit during that decade, ‘Space Oddity’, from 1972 onwards he went through several remarkable self-reinventions in musical style, with an uncanny knack of being able to pre-empt the next big trend. In examining his whole career but focusing largely on his work throughout that particular decade, Peter Doggett looks specifically at every song he recorded, including cover versions. There are also boxed-out features on each album, and articles on related topics such as ‘The Art of Minimalism’ and ‘The Heart of Plastic Soul’. He concludes that by 1979 the man’s extraordinary creativity was more or less spent and his subsequent output, successful though it may have been, was in effect treading water up to his ‘elegant, unannounced retirement’ in 2007.
|amazonuk=<amazonuk>0099548879</amazonuk>
}}