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{{newreview
|author=Helen Simonson
|title=The Summer Before the War
|rating=5
|genre=Historical Fiction
|summary=Summer 1914: Beatrice Nash arrives in Rye following the death of her father, hoping to earn a living as a Latin tutor. Despite being the sort of woman with ideas of her own, she has allies in the family of local pillar of the community Lady Agatha. Agatha may not have realised just how modern Beatrice is but she'll stand by her after having been her sponsor for the post initially. Meanwhile Agatha's nephew, medical student Hugh soon warms to Beatrice but his heart belongs to Lucy, his surgeon professor's daughter. Soon, though, the events of a small town summer will fade in importance; the Balkans will explode and Europe is thrown into a war that's far from the swift, romantic, consequence-free conflict of which summer daydreams are made.
|amazonuk=<amazonuk>1408837641</amazonuk>
|amazonus=<amazonus>1408837641</amazonus>
}}
{{newreview
|author=Rebecca Thornton
|summary=When a devastating super-flu hits, a collection of the paranoid and super-wealthy decide to hole up in a state of the art, luxury underground bunker complex. It doesn't get off to a great start. The separate families don't gel together, the 'luxury' isn't at all what they'd been promised and soon they realise that they would be safer on the outside. When the owner dies mysteriously, the residents of the sanctum are locked in and are being picked off one by one ... but is it a series of fluke accidents, or is there a killer among them? They are trapped together, with no outside communication and with no choice but to rely on those they mistrust. With tension high and food and water low, luxury civilisation has turned into the rules of the jungle. The question is, who will survive? (If anyone ...)
|amazonuk=<amazonuk>1447266455</amazonuk>
}}
{{newreview
|author=David Crystal
|title=The Oxford Dictionary of Original Shakespearean Pronunciation
|rating=5
|genre=Reference
|summary=Language changes, not only in the way that it's written, but also in the way that it's ''pronounced''. I've seen changes over my lifetime and even more substantial changes have occurred in the four hundred years since Shakespeare died. For someone watching or reading a play the differences are not usually material: we can generally understand what is being said, but occasionally we're going to miss jokes which rely on a certain pronunciation, or the fine nuances of what is being said. What's required is a dictionary of the original pronunciation and that's exactly what David Crystal has provided. I'm only surprised that it's taken so long for such a book to appear.
|amazonuk=<amazonuk>0199668426</amazonuk>
}}