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[[Category:Confident Readers|*]]
[[Category:New Reviews|Confident Readers]] __NOTOC__<!-- Remove -->
{{newreview
|author=Ian Livingstone
|title=Fighting Fantasy: The Port of Peril
|rating=4.5
|genre=Fantasy
|summary=As I promised I would when I looked back at the beginning of the 35 year history of ''Fighting Fantasy'' gamebooks [[Fighting Fantasy: The Warlock of Firetop Mountain by Steve Jackson and Ian Livingstone|(here)]], I took to the brand-new-for-2017 volume with my pen, mapping paper, and most importantly, dice. For the first time in a long, long time, I would not read a book for review. I would play it. And so, armed with healthy stamina, reasonable luck but frankly embarrassing skill, I set off. This is the report of that journey – as well as hopefully being the usual useful book review.
|amazonuk=<amazonuk>1407181297</amazonuk>
}}
{{newreview
|author=Sharon Cohen
|summary=My daughter first read ''Dragon Rider'' when she discovered it in her school library aged about 8. She loved it, so much so that she borrowed it over and over, reading and re-reading it, her head full of dragons. I finally sat down to give it a read myself, excited at the prospect of a good fantasy story. Firedrake is the one, brave dragon from a small dragon community who, when faced with the incoming humans who will destroy their home, decides to go out into the world to try to find the Rim of Heaven, a hidden home for the dragons. There's a far-ranging, adventurous journey, and there are fantasy creatures galore, such as Firedrake's brownie friend, Sorrel, a djinn, a basilisk, a sea serpent and the big baddie, Nettlebrand.
|amazonuk=<amazonuk>1911077856</amazonuk>
}}
{{newreview
|author=Jo Manton, Phyllis Bray and David Buckman
|title=Titania and Oberon
|rating=4.5
|genre=Confident Readers
|summary=''Equus'', ''Waiting for Godot'' and ''A Mid-summer Night's Dream'' – three very distinctive plays, and my favourite three, out of which you won't often get me choosing just one. But were I to do so, it might actually be the last, for the simple reason I would delight in playing any and all characters from it. Yes, I know Hermia and Helena look a bit implausible now – but I put it to you stranger things happen on stage… Some of the strangest things involve a player himself, a lowly actor who gets given an ass's head and is forced to be the enamoured of a fairy queen. It's this section of the play that this book concentrates on, in quite stunning form.
|amazonuk=<amazonuk>184365329X</amazonuk>
}}

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