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Amelia Peabody is a no-nonsense lady who endures all manner of murder attempts, kidnappings and sundry other crimes while on archaeological digs in Egypt with equanimity and composure. She is either revered or feared (or both) by villains, museum curators, family and workmen alike for her caustic tongue and the steel-reinforced parasol she brandishes at the first sign of danger. And yet, once the evil-doers have been locked up, precious objects returned to their owners and all injuries bandaged, she still insists on all the decorum of the English abroad: formal dress for dinner and only the politest and least contentious topics for dinner-table conversation. [[The Painted Queen: an Amelia Peabody Mystery by Elizabeth Peters and Joan Hess|Full Review]]
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===[[Operation Goodwood: a Mirabelle Bevan Mystery by Sara Sheridan]]===
[[image:5star.jpg|link=Category:{{{rating}}} Star Reviews]] [[:Category:Crime (Historical)|Crime (Historical)]]
In this, the fifth novel in the Mirabelle Bevan Mystery series, we have reached 1955. There is less emphasis on rationing now: time has moved on from the post-war privations we saw in our first encounter with Mirabelle and her warm, cheery companion Vesta in 1951, a time when tearing a stocking was a disaster of the first order. Various types of prejudice are still rife, however, and Sara Sheridan is a real expert at dropping in that small, lightly sketched detail which tells us we are still in a Britain overshadowed by the aftermath of conflict. A woman who walks alone into a bar will not be served; the British Empire is still front-page news, and the colour of a person's skin an almost insurmountable barrier to equality of opportunity. [[Operation Goodwood: a Mirabelle Bevan Mystery by Sara Sheridan|Full Review]]
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