132,948
edits
Changes
no edit summary
For all those who think tragedy plots are too restricted and prescribed, read on. In these pages you too will see that Romeo had lots of options en route to hitting the bottle. Likewise, she could have turned away from her predestined path at no end of junctures. And to what result? Well, happy marriage and a kid called Ben, because the leads have just banged people's heads together and stopped the quarrelling, or Death by Tybalt (him) or a long life running an establishment curing murderous women, such as a Lady M (her). [[Romeo and/or Juliet by Ryan North|Full Review]]
<!-- Crowley -->
|-
| style="width: 10%; vertical-align: top; text-align: center;"|
[[image:Crowley_Shoot.jpg|link=http://www.amazon.co.uk/dp/1783296518/ref=nosim?tag=thebookbag-21]]
| style="vertical-align: top; text-align: left;"|
===[[Shoot by Kieran Crowley]]===
[[image:4star.jpg|link=Category:{{{rating}}} Star Reviews]] [[:Category:Crime|Crime]], [[:Category:Humour|Humour]]
I make something of a habit of being late to discover good writers, in this case getting to Crowley after he is no longer with us. The result is that what is billed as ''an F.X. Shepherd mystery'' with all the optimism of there being more to come has the poignancy of being, if not the last of a short line, certainly one of a few. [[Shoot by Kieran Crowley|Full Review]]
|}
{{newreview
|author=Gray Jolliffe