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Revision as of 08:46, 24 April 2018

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Trains look imposing, but true fans (little boys, usually from about three years old and upwards) want to know what lies beneath the skin which you can see. They want to know how it works. Getting to grips with one in real life is quite a big ask, but the next best thing is ''Stephen Biesty's Trains'' which features trains from all over the world and spanning the early steam train (complete with cow catcher) right through to the trains of the future which can reach a speed of 430 kph and don't even run on rails. Once the train reaches a speed of 150 kph the wheels are raised and the train is held up by magnetic forces alone. [[Stephen Biesty's Trains by Ian Graham and Stephen Biesty|Full Review]]
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===[[Rooms of One's Own: 50 Places That Made Literary History by Adrian Mourby]]===
 
[[image:4.5star.jpg|link=Category:{{{rating}}} Star Reviews]] [[:Category:Entertainment|Entertainment]], [[:Category:Travel|Travel]]
 
The debate is never-ending about how much of the author's life we can find in their pages, and what bearing every circumstance of their lot had on their output. Things perhaps are heightened when they do a Hemingway or a Greene and travel the world, but so often they have had a cause to stay in one place and write. Does that creative spirit survive in the walls and air of the room they worked in, and do those four walls, or the view, feature in the books? And does any of this really matter in admiring the great works of literature? Well, this volume itself kind of relies on that as being the case, but either way it's a real pleasure. [[Rooms of One's Own: 50 Places That Made Literary History by Adrian Mourby|Full Review]]
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{{newreview
|author=Adrian Mourby
|title=Rooms of One's Own: 50 Places That Made Literary History
|rating=4.5
|genre=Entertainment
|summary=The debate is never-ending about how much of the author's life we can find in their pages, and what bearing every circumstance of their lot had on their output. Things perhaps are heightened when they do a Hemingway or a Greene and travel the world, but so often they have had a cause to stay in one place and write. Does that creative spirit survive in the walls and air of the room they worked in, and do those four walls, or the view, feature in the books? And does any of this really matter in admiring the great works of literature? Well, this volume itself kind of relies on that as being the case, but either way it's a real pleasure.
|amazonuk=<amazonuk>1785781855</amazonuk>
}}
{{newreview
|author= Thomas H Cook
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