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The setting is one that’s not often explored in fantasy literature, and definitely makes it more interesting. The world depicted in A Little Hatred is neither completely medieval European-style fantasy, nor completely Gaslamp-style fantasy, but a world that is transitioning from the former to the latter. The chapters set in Leo and Rikke’s point-of-view involves the province of Angland repelling a much larger invading force in the form of the armies of Scale Ironhand, king of the North, his brother Black Calder and his nephew Stour Nightfall, which seems much more like a classic fantasy novel plot. Meanwhile, the Union is on the brink of an industrial revolution, which is mostly told through the eyes of Savine and other characters. It doesn’t shy away from showing the ugly side of industrial revolution, either, child labour is often used to maximise profits and workers are being put out of employment by these new machines. As such, there are also rising factions of this world’s equivalent of the Luddites: the Breakers, who just want to smash the machines that have taken their jobs, and the Burners, who are much more anarchical and want to bring down the entire ruling class. Thankfully, the plentiful dark comedy and dry wit acts to alleviate some of the more depressing moments in the book.