Changes

|summary=A change of direction for Picoult, with a story , set largely outside the US and with a strong historical thread. I didn't feel that it was her strongest book but it is - as you might expect - very readable.

Picoult has never balked baulked at the challenge of dealing with the nitty -gritty of life. Her writing has always been characterised by the meticulous research which informs (but never takes over) her writing, by a story which grabs hold of you and characters about whom you care. ''The Storyteller'' is no different. The time which Sage's grandmother spent in Auschwitz is graphically detailed and many will find it disturbing and heart-rending. It might not be specifically true - but it's certainly representative of what happened - and should, at the very least, make people wonder why it is still happening - happening in other parts of the world but nevertheless still happening. There's a dark thread of violence and death which weaves through the story ''and'' a story within the story, which runs through the book in an almost Scheherazade-like way.

I had to suspend belief on one or two occasions when coincidence seemed to feature just a little too strongly and I never really felt the strength of the right-to-die dilemma. For me , the strength of the story was in Sage realising that she should - and could - be true to herself, that she was worth more than casual sex with a married man. I'm torn between hoping that Picoult will continue in this vein and wishing that she would revert to her tried-and-tested format. Whichever it is, I'm sure that it will be a gripping read.

For a rather less-harrowing look at life in the concentration camps you might like to try [[Helga's Diary: A Young Girl's Account of Life in a Concentration Camp by Helga Weiss]], whilst the most gut-wrenching is [[Treblinka: A Survivor's Memory by Chil Rajchman]]. For more fiction about World War II we can recommend [[The Invisible Bridge by Julie Orringer]]. We've also enjoyed [[A Spark of Light by Jodi Picoult]].