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'''Shortlisted for CWA Crime Fiction in Translation Dagger 2022'''
You might be forgiven for thinking that all the dark corners of Iceland have featured in their noirish thrillers and crime books before now. You think, seeing on the map that we're set in Akranes, and finding it's only twenty kilometres from the capital city, that this author is clutching at the few final straws left. However just because the book aims for the usual small-town feel, it's not just in Akranes that our interests lie. Six months ago a woman failed to turn up for her date evening, and was never seen again. This left a teenaged girl not at all disappointed that she could now live permanently with the couple who had given her foster care before her mother had asked for the girl back, and a couple of delighted adopters. But it left our three detectives at a quandary – mobile phone use was at a high level until it stopped all of a sudden, in one place, the woman's car was found miles away in a second place, and now, after six months, the body has been discovered, in a third, even more remote place. Meanwhile, this narrative is interrupted by a confessional monologue from a mother who found herself with heavy post-natal depression, and very little maternal feeling in her body. Is the assumption that is so easy for the reader to make the right one?

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