The wide cast have not all lived in Haeden for all their lives; the difference between the open minds of outsiders and the limited imagination of those who cannot think beyond Haeden and what they think they know about it, is highlighted all the time. This leads to hostility between all kinds of residents – and this doesn’t help in terms of finding out what happened to Wendy White.
Hoffman has taken a thorough approach to this novel and no detail is lacking in significance. For example, Scoop the male editor’s criticism of his female employee’s dress sense is a precursor to showing attitudes of sexism throughout the novel. At the start of the story, I felt that I would take to Hoffman’s writing style immediately. In terms of the writing itself, that was the case throughout the book. However, the structure of the story detracted somewhat from the overall tale.
Telling a story in a choppy style can be very effective, but in this case, especially in the early part of the book, I found it very frustrating to be taken away from a path that I wanted to follow right away, and usually led to another piece of background. All these parts have relevance, but could have been better placed. It also became hard to relate to some of the peripheral characters, even those – Alice in particular – who are so key to the story.