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|summary=What's your mental image of a Great Writer? Most people would probably say the same thing: someone sitting in splendid isolation, probably in a garret, writing Great Words and hating them. The idea of Great Writers having friends, or even a family, is a bizarre one. Partly this is because most Great Writers were incredibly weird people. But there's another issue at play. We're simply not used to imagining them in context, just one small part of a large and busy world. Our notion of biography is an incredibly fragmented one: despite the fact that one of the best indications of someone's character is how they interact with other human beings, we expect biographers to essentially confine themselves to the person and their literary output.
|amazonuk=<amazonuk>1845951867</amazonuk>
}}
{{newreview
|author=Carlo Collodi, Geoffrey Brock, Umberto Eco and Fulvio Testa
|title=Pinocchio
|rating=4
|genre=Confident Readers
|summary=Of all the benefits of being at the hands of the book reviewing gods, the fact that now and again you get to visit a true classic, one of those books you think you know but have never read, stands out as being a major advantage. Consider Pinocchio – I've reviewed a [[Pinocchio by Winshluss|very adult graphic novel version]] that's definitely not for the faint-hearted, I've even performed in a stage version – but never read the original. I might never even have seen the Disney film but I have an inkling of what it's about, how it pans out, and what the thrust of the story is. And of course, a lot of my impressions are wrong. This volume is one of the best ways to get a crisp, accurate and clear insight into the reality.
|amazonuk=<amazonuk>1849392625</amazonuk>
}}
