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Jump to navigationJump to searchThe Interview: Bookbag Talks To Guy Booth (view source)
Revision as of 17:11, 1 January 2013
, 17:11, 1 January 2013no edit summary
A dress shop, a 1930s concert hall, Blackpool Tower, a seaside bungalow, a gothic cathedral, a country hedgerow, a kitchen blender: all of interest. When I walk down a city street I read it like a conductor reads an Orchestral Score.
In my stories ambience and architecture are vital: the reader must <u>be in that place<//u>. What characters are wearing, how well or badly, tells the reader much about them. Peter Tyndale’s ridiculously uncomfortable, hyper expensive City penthouse; the detail of his honed torso almost leaping out of the hand tailored executive shirt, gives the reader a feeling that we shall meet this strangely sadistic ‘Public School Hero’ again. Alfred Hitchcock, talking of his famous films, said, “Every frame counts”.
* '''BB: Arthur Moreau is loathsome AND criminally insane. Is he inspired by anyone you know? How do you create your characters?'''
