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Newest Biography Reviews (view source)

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[[Category:Biography|*]]
[[Category:New Reviews|Biography]]__NOTOC__<!-- Remove -->
{{newreview
|title=The Pike: Gabriele D'Annunzio, Poet, Seducer and Preacher of War
|author=Lucy Hughes-Hallett
|rating=3.5
|genre=Biography
|summary=Gabriele d’Annunzio was a strange and perhaps fortunately unique character, a kind of 20th century Renaissance man who almost defies posterity to pigeonhole him. At various times he was a poet, novelist, dramatist, journalist, adventurer, self-styled demagogue and philanderer. Although he lost several friends during the First World War, as well as the sight of one eye when his plane was shot down, he had a passion for war, seeing bloodshed as manly and death in battle as glorious self-sacrifice. He had the dodgiest of moral compasses, and yet was hardly the Adonis he believed himself to be. One French courtesan who firmly rebuffed his physical advances later called him ‘a frightful gnome with red-rimmed eyes and no eyelashes, no hair, greenish teeth, bad breath and the manners of a mountebank’. Had he been alive today, he would have probably been an instant celebrity and media personality with a very short shelf-life. One half Jeremy Clarkson, one half Russell Brand, one might say.
|amazonuk=<amazonuk>0007213964</amazonuk>
}}
 
{{newreview
|author=John Van der Kiste
|summary=It is a coincidence that the year 1928 saw the first appearance of two English novels which were denounced and initially suppressed on the grounds of obscenity and their potential to corrupt innocent readers – D.H. Lawrence’s 'Lady Chatterley’s Lover' and Radclyffe Hall's 'The Well of Loneliness'. Lawrence's many novels, stories and poems are widely read today, but Hall and her works are hardly remembered except by a minority. Diana Souhami has done her a service in this generous yet deeply probing life of a literary trailblazer.
|amazonuk=<amazonuk>1780878788</amazonuk>
}}
 
{{newreview
|author=Diana Souhami
|title=Greta and Cecil
|rating=4
|genre=Biography
|summary=The story of the notoriously reclusive film star from Sweden and the noted British photographer is a curious one. Neither ever married, both were androgynous and bisexual, plucked their eyebrows, and had numerous short-term relationships. They were like chalk and cheese; Beaton was a compulsive writer and diarist, while Garbo was reluctant to pick up a pen even to sign her own name. He adored parties, publicity, dressing up in frocks and photographing himself or posing for others behind the lens (he couldn’t look more feminine in two pictures of him in frocks by Dorothy Wilding from 1925 if he tried), while she was very much an early bed at night person, preferred to wear unfussy men’s clothes, and was reluctant to be photographed at all if she could help it. It is significant that the one picture of them together in the book, taken in London in 1951, shows her deliberately hiding her face behind what looks like a handbag.
|amazonuk=<amazonuk>1780878869</amazonuk>
}}
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