[[Category:Graphic Novels|*]]
[[Category:New Reviews|Graphic Novels]] __NOTOC__<!-- Remove -->
{{newreview
|title=Charley's War: A Boy Soldier in the Great War
|author=Pat Mills and Joe Colquhoun
|rating=4
|genre=Graphic Novels
|summary=The answer, it seems to me, when writing war stories, is to take something we can all imagine – the young lad signing up and finding out the real truth behind the glorified propaganda of his masters – and still making something unexpected out of it. People have to die in unexpected ways, because that's what war is. Soldiers have to face misery, because that's what war brings them. The writer has to be a godlike entity able to give the power of victory or defeat to either side, because the common or garden soldier character certainly can't. In putting all this and more into a comic for boys, where it had previously been thought a WWI story with the rigid and static nature of trench warfare would be neither visually nor dramatically appealing, Pat Mills both challenged himself and won many over with his brilliance. Young Charley certainly gets to know the misery, unexpected death and people in command of his fate. And with the dramatic narrative artwork here, so do we.
|amazonuk=<amazonuk>1781169144</amazonuk>
}}
{{newreview
|title=Trillium
|summary=Meet Doll. She seems to fit in with the world she aspires to – she has an androgynous look and a sharp tongue, and doesn't seem to hold many of the people around her in much deference. However, as someone else is very quick to point out, she is only a cloakroom attendant, however swanky and in vogue the nightclub she works at might be. That same someone else gets her fired, however, yet for every door that shuts… As she becomes an overnight modelling sensation, and finds her new boss a very singular individual.
|amazonuk=<amazonuk>1592912117</amazonuk>
}}
{{newreview
|title=The Weirdo Years 1981-'91
|author=R Crumb
|rating=4
|genre=Graphic Novels
|summary=Books are better than magazines – discuss. Certainly for the connoisseur of the contents of culturally important titles from the 1960s, 1970s and 1980s it must be a lively debate. I remember my collection of ''New Worlds'' editions and how often the editors would take us through a long novel over seven or eight parts, then dump a 'sorry, due to space requirements this last part of what you've cherished for months is abridged – but wait for the novel version soon' on us. Is it better to be a completist, and witness everything the original editors deemed worthy (or just had lying around) or should we cherry-pick and note the best? This hefty hunk of book goes for the latter, anyway, taking [[:Category:Robert Crumb|R Crumb]]'s output for the ''Weirdo'' comic, as edited by R Crumb, then someone else, then Mrs R Crumb, and giving us everything, warts and all.
|amazonuk=<amazonuk>0861662253</amazonuk>
}}