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{{newreview
|author=Jack Sheffield
|title=Silent Night
|rating=3.5
|genre=General Fiction
|summary=I read a couple of Jack Sheffield’s books about five years ago, and enjoyed them very much. They were written in a similar style to those popularised by, for instance, James Herriot or [[:Category:Gervase Phinn|Gervase Phinn]], told mostly in the first person, describing the author’s first couple of years as Headmaster at a small village primary school in Yorkshire. The village of Ragley is fictional, as are most of the characters, but the incidents and situations encountered are based on the author’s experience.
|amazonuk=<amazonuk>0552167045</amazonuk>
}}
{{newreview
|author=Christina James
|summary=Christopher Nolan speaks here of two pertinent visits to the cinema to see sci-fi epics. The first time round it was ''Star Wars'', and the young cinema craftsman in the making became an avid fan, who eventually found the story and nature of the film's construction almost as epic, invigorating and absorbing as the movie itself. After that came a chance to see a re-release of ''2001: A Space Odyssey'', upon which Nolan reports ''information about the making of Kubricks's masterpiece was harder to come by than Lucas's.'' You don't need me to tell you that nowadays information about making of movie magic is all around us – the trailers and camera diaries of set footage advertising upcoming blockbusters in parallel with each other, the DVD and Blu-Ray extras, and so on. And I'm sure a lot of that is evident with the example of ''Interstellar'', Chris Nolan's attempt to bridge the gap between ''Star Wars'' and ''2001'' and create a thinking woman's emotional, family sci-fi epic. Likewise, too, this book, which is a happy ground between being told only the bare outlines, and the full-on, nothing-kept-sacred smorgasbord detail of a Blu-Ray. A very happy ground, indeed, that will leave many a happy reader.
|amazonuk=<amazonuk>178329356X</amazonuk>
}}
