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{{newreview
|author=Amitav Ghosh
|title=Flood of Fire (Ibis Trilogy 3)
|rating=4
|genre=Historical Fiction
|summary=1839 and the repercussions of the sinking of the Ibis and the Chinese clampdown on opium smuggling go on. Now widowed by the marine disaster, Shireen Modhi is given an opportunity to discover her late husband's legacy although it means journeying alone from India to China. Former sailor Zachary Reid finds life landside to be a little complicated when he becomes a 'mystery' (craftsman) attached to the Indian home of a British opium trader, despite its fringe benefits. East India Company sepoy officer Kesri Singh is also a little unsettled, especially when he discovers he must prepare for a war that, in some way or other, will affect them all.
|amazonuk=<amazonuk>0719569001</amazonuk>
}}
{{newreview
|author= Alex T Smith
|summary= Work. It's not something Tom Gates has been guilty of much before now – unless it's to work out how and where to hide his favourite caramel wafers, or how to deflect the evil grin of his slightly goth older sister. But it's on the cards this time round – not only does his mother have the inspired idea of clearing the house out for a car boot sale (which causes disasters) the school is having an enterprise competition, where groups of students have to create something to sell on to their peers at a profit. But it's not like Tom wants much – of course, he's a simple lad, with no real desires as such – he's never going to want to go hell for leather to get anything, is he?
|amazonuk=<amazonuk>1407143190</amazonuk>
}}
{{newreview
|author=Minette Walters
|title= Cellar
|rating=4
|genre=General Fiction
|summary= To my mind, ''The Dark Room'' is the most perfect psychological thriller ever written (and I've read lots in this genre). In her later works, Minette Walters seemed to veer away from this particular path to glory as her novels became steadily darker and with increasingly dislikeable characters. So it was quite refreshing to discover that ''The Cellar'' was written from the point of view of a rather likeable protagonist. Muna is an African child living in, shall we say, somewhat unusual and very cruel conditions: she was stolen and now lives in captivity. Her voice is compelling and from the first page I found myself wanting her to make good her escape from the dreadful - and sadly all too believable - circumstances in which she finds herself. So, naturally, I admired her cunning and resourcefulness, knowing that these attributes would serve her well. But, of course, this is Minette Walters and nothing is as simple as it first appears. As the story unfolded I found myself questioning who exactly were the victims and who, if anyone, was innocent.
|amazonuk=<amazonuk>0099594641</amazonuk>
}}