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Newest Teens Reviews (view source)

Revision as of 09:11, 4 June 2015

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[[Category:Teens|*]]
[[Category:New Reviews|Teens]] __NOTOC__ <!-- Remove -->
{{newreview
|title=Finding Audrey
|author=Sophie Kinsella
|rating=4
|genre=Teens
|summary=
Audrey has been stuck at home for a while now, ever since that awful business at her last school. It left her suffering from social anxiety disorder and depression. Dr Sarah is impressed with Audrey's progress towards recovery, but Audrey still can't go out of the house, speak to strangers, or even make eye contact with her family. The painfully slow path to wellness is beginning to weight heavily on her. And then her brother's friend Linus shows up and begins to entice Audrey outside of herself again. He has a lovely orange-slice smile and writes funny notes and - to Audrey's disbelief - seems to like her. But Audrey really does need to heed Dr Sarah's warning that recovery is not a smooth progression: it's a series of two steps forward and one step back.
|amazonuk=<amazonuk>0857534580</amazonuk>
}}
{{newreview
|title=Extraordinary Means
|summary=Fifteen-year-old Frank is a forensic sorcerer, employed to solve murders and other grisly crimes in a world where adults get the blur and lose their eyesight by their mid-twenties, and only the young have enough sorcerous power to summon demons and angels.
|amazonuk=<amazonuk>0552571873</amazonuk>
}}
{{newreview
|author=Diana Sweeney
|title=The Minnow
|rating=4.5
|genre=Teens
|summary=Diana Sweeney's ''The Minnow'' is an Australian book aimed at Young Adults that features death, grief, abuse, fear and loneliness. Teenage pregnancy lies at its heart while bereavement, and trying to come to terms with loss, bubbles just under the surface, constantly. But don't be misled. This novel isn't some earnest pedagogical attempt to convey teenage angst and elicit grave pity or understanding from the reader. What rescues it from mawkishness is the beautiful voice of the narrator, Tom (or Holly, if you prefer her real name). Tom doesn't fall prey to self-pity. She simply describes her world as she sees it, matter-of-fact. And the fact that her view is rather unusual (she talks to fish, dead people and her unborn child - and they talk back) doesn't really matter. Nothing can detract from the sheer lyricism of her voice. As a reader, you just have to suspend disbelief and enjoy the ride.
|amazonuk=<amazonuk>192218201X</amazonuk>
}}
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