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[[Category:Thrillers|*]]
[[Category:New Reviews|Thrillers]]__NOTOC__<!-- Remove -->
{{newreview
|author=Deborah Bee
|title=The Last Thing I Remember
|rating=4.5
|genre=General Fiction
|summary=Contemporary writers are mining a rich seam of psychological thrillers and, within this genre, I seem to be particularly attracted to stories featuring comatose protagonists. Comatose protagonists? Isn't that a contradiction in terms? True, you do normally expect a protagonist to, well, do something. And Deborah Mee's heroine Sarah does nothing at all, other than listen, and try and remember, from her unconscious state. In her narrative she offers us nothing more than fractured memories and snippets of conversations from around her bedside. Yet with these meagre tools she helps the reader build up a vivid picture of what is happening around her, of her own character, and of the events leading to her hospital admission. As a reader you gradually piece together what made Sarah what she is today. At first you see an apparently successful career woman in a loving marriage but, as layers are gradually removed, what lies beneath becomes apparent. Sarah's controlling husband has a sinister brother who comes to sit by her bedside, while her toxic mother wages an ongoing war of words with Sarah's spineless father... At times I wanted to weep for what happened to Sarah; at other times I wanted to scream at her for letting it happen.
|amazonuk=<amazonuk>B0196P0S4W</amazonuk>
}}
{{newreview
|author= Lucy Dawson
|summary=I knew little about this book before I started it - other than the intriguing title and the scant information that it is a psychological mystery about a girl who survives abduction by a serial killer. For those who, like me, can't resist suspense (and it seems that many people do fall into this category, according to the bestseller lists at least), this is enticement enough. And I was not disappointed: this story offers psychological uncertainty and suspense from start to finish. The narrative alternates between present day and the past, each section lasting just a couple of pages. I found this structure tricky at first, although each chapter does offer a helpful timeline and the chapters are short enough that it's easy to reorient yourself. Once I got used to the choppy style I found that it did work, and it worked really well, reflecting the constant flashbacks and mental turmoil experienced by Tessa, the protagonist.
|amazonuk=<amazonuk>0718181336</amazonuk>
}}
