Difference between revisions of "The Horseman by Tim Pears"
| (2 intermediate revisions by the same user not shown) | |||
| Line 1: | Line 1: | ||
| − | {{ | + | {{infobox1 |
|title= The Horseman | |title= The Horseman | ||
|sort=Horseman | |sort=Horseman | ||
| Line 11: | Line 11: | ||
|pages=302 | |pages=302 | ||
|publisher=Bloomsbury | |publisher=Bloomsbury | ||
| − | |date= | + | |date=January 2017 |
|isbn= 978-1632866936 | |isbn= 978-1632866936 | ||
|website= http://www.timpears.com | |website= http://www.timpears.com | ||
|video=s-7p1zJqOR8 | |video=s-7p1zJqOR8 | ||
| − | | | + | |cover=1632866935 |
| + | |aznuk=1632866935 | ||
| + | |aznus=1632866935 | ||
}} | }} | ||
| − | ''The Horseman'' feels like a novel written much earlier than 2016. This is in large part because it is set in 1911 in rural Somerset but also because Pears writes in a style which is reminiscent of authors in the twentieth century, if not the nineteenth. Readers who are hoping for action, pace and suspense will be sorely disappointed in ''The Horseman'', in which not a lot happens at all; the story could easily be condensed into a couple of pages. However, if you have a rainy weekend in a cosy cottage somewhere, Pears provides the perfect companion, giving readers an antidote to frenetic, twenty first century urban life. | + | ''The Horseman'' feels like a novel written much earlier than 2016. This is in large part because it is set in 1911 in rural Somerset but also because Pears writes in a style which is reminiscent of authors in the twentieth century, if not the nineteenth. Readers who are hoping for action, pace and suspense will be sorely disappointed in ''The Horseman'', in which not a lot happens at all; the story could easily be condensed into a couple of pages. However, if you have a rainy weekend in a cosy cottage somewhere, Pears provides the perfect companion, giving readers an antidote to frenetic, twenty-first century urban life. |
''The Horseman'' tells the story of Leopold, a young boy whose father is carter at Lord Prideaux's estate. Leo is able at school but his real talent is with horses, and he strives continuously to show this to his father and siblings. He is an endearing character, ambitious and feisty yet sweet. There is a particularly satisfying scene when Leo, lurking in the estate's stables, spots an injury which the arrogant stable lad has failed to notice, and is credited with ''equine blood in his bones'' by the groom. The horses have majestic names like ''Noble'' and ''Captain'', which underlines their importance to livelihoods. Horses also provide a point of connection for Leo and Lord Prideaux's daughter, Charlotte, who is an impressive rider. Leo wins her respect with his own understanding and mastery of equine beasts, and a spirited, if fragile, friendship forms. | ''The Horseman'' tells the story of Leopold, a young boy whose father is carter at Lord Prideaux's estate. Leo is able at school but his real talent is with horses, and he strives continuously to show this to his father and siblings. He is an endearing character, ambitious and feisty yet sweet. There is a particularly satisfying scene when Leo, lurking in the estate's stables, spots an injury which the arrogant stable lad has failed to notice, and is credited with ''equine blood in his bones'' by the groom. The horses have majestic names like ''Noble'' and ''Captain'', which underlines their importance to livelihoods. Horses also provide a point of connection for Leo and Lord Prideaux's daughter, Charlotte, who is an impressive rider. Leo wins her respect with his own understanding and mastery of equine beasts, and a spirited, if fragile, friendship forms. | ||
| − | Pears works chronologically and names each short chapter after its month, making the reader hyper conscious of the way seasons dictate the contents of the novel. ''The Horseman'' is an intensely physical novel; there is hunger, sweat, cold and brutal exhaustion at the end of a day of backbreaking labour. Even when Leo is at school, he is distracted from his work by swallows nesting in the eaves of the | + | Pears works chronologically and names each short chapter after its month, making the reader hyper-conscious of the way seasons dictate the contents of the novel. ''The Horseman'' is an intensely physical novel; there is hunger, sweat, cold and brutal exhaustion at the end of a day of backbreaking labour. Even when Leo is at school, he is distracted from his work by swallows nesting in the eaves of the schoolhouse and an owl in the chimney, completely baffling Miss Pugsley, who knows that her bright, truanting pupil will soon be permanently lost to education. ''The Horseman's'' characters express their psychological state almost entirely physically - which can be frustrating for readers who enjoy the analysis of emotions - leaving abundant room for interpretation. Indeed, the novel as a whole feels spare, with the forced pauses after each chapter manifested in physical empty space and the scarcity of adrenaline. It's fashionable to talk about 'slow fashion' and 'slow journalism'; Pears is a true ambassador for the 'slow reading' movement. |
| − | Further reading suggestions: [[The Taste of Apple Seeds by Katharina Hagena and Jamie Bulloch (Translator)|The Taste of Apple Seeds by Katharina Hagena]], [[The Winter Horses by Philip Kerr]] | + | Further reading suggestions: [[The Taste of Apple Seeds by Katharina Hagena and Jamie Bulloch (Translator)|The Taste of Apple Seeds by Katharina Hagena]], [[The Winter Horses by Philip Kerr]] and [[Disputed Land by Tim Pears]]. |
{{amazontext|amazon=1632866935}} | {{amazontext|amazon=1632866935}} | ||
Latest revision as of 11:33, 24 August 2020
| The Horseman by Tim Pears | |
|
| |
| Category: General Fiction | |
| |
Reviewer: Florence Holmes
 | |
| Summary: A meditative, pastoral novel about a young boy's relationship with horses. | |
| Buy? Yes | Borrow? Yes |
| Pages: 302 | Date: January 2017 |
| Publisher: Bloomsbury | |
| External links: Author's website | |
| ISBN: 978-1632866936 | |
|
Share on: | |
| Video:
| |
The Horseman feels like a novel written much earlier than 2016. This is in large part because it is set in 1911 in rural Somerset but also because Pears writes in a style which is reminiscent of authors in the twentieth century, if not the nineteenth. Readers who are hoping for action, pace and suspense will be sorely disappointed in The Horseman, in which not a lot happens at all; the story could easily be condensed into a couple of pages. However, if you have a rainy weekend in a cosy cottage somewhere, Pears provides the perfect companion, giving readers an antidote to frenetic, twenty-first century urban life.
The Horseman tells the story of Leopold, a young boy whose father is carter at Lord Prideaux's estate. Leo is able at school but his real talent is with horses, and he strives continuously to show this to his father and siblings. He is an endearing character, ambitious and feisty yet sweet. There is a particularly satisfying scene when Leo, lurking in the estate's stables, spots an injury which the arrogant stable lad has failed to notice, and is credited with equine blood in his bones by the groom. The horses have majestic names like Noble and Captain, which underlines their importance to livelihoods. Horses also provide a point of connection for Leo and Lord Prideaux's daughter, Charlotte, who is an impressive rider. Leo wins her respect with his own understanding and mastery of equine beasts, and a spirited, if fragile, friendship forms.
Pears works chronologically and names each short chapter after its month, making the reader hyper-conscious of the way seasons dictate the contents of the novel. The Horseman is an intensely physical novel; there is hunger, sweat, cold and brutal exhaustion at the end of a day of backbreaking labour. Even when Leo is at school, he is distracted from his work by swallows nesting in the eaves of the schoolhouse and an owl in the chimney, completely baffling Miss Pugsley, who knows that her bright, truanting pupil will soon be permanently lost to education. The Horseman's characters express their psychological state almost entirely physically - which can be frustrating for readers who enjoy the analysis of emotions - leaving abundant room for interpretation. Indeed, the novel as a whole feels spare, with the forced pauses after each chapter manifested in physical empty space and the scarcity of adrenaline. It's fashionable to talk about 'slow fashion' and 'slow journalism'; Pears is a true ambassador for the 'slow reading' movement.
Further reading suggestions: The Taste of Apple Seeds by Katharina Hagena, The Winter Horses by Philip Kerr and Disputed Land by Tim Pears.
Please share on: 
Facebook, 
Twitter and
Instagram
You can read more book reviews or buy The Horseman by Tim Pears at Amazon.co.uk Amazon currently charges £2.99 for standard delivery for orders under £20, over which delivery is free.
You can read more book reviews or buy The Horseman by Tim Pears at Amazon.com.
Comments
Like to comment on this review?
Just send us an email and we'll put the best up on the site.
