Difference between revisions of "Sandbox"
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| + | |title=Ordinary Hazards | ||
| + | |author=Anna Bruno | ||
| + | |reviewer=Stephen Leach | ||
| + | |genre=General Fiction | ||
| + | |summary=Too much telling and not nearly enough showing in this slow-moving reflection on guilt and grief. | ||
| + | |rating=2 | ||
| + | |buy=No | ||
| + | |borrow=No | ||
| + | |pages=272 | ||
| + | |publisher=Scribner UK | ||
| + | |date=August 2020 | ||
| + | |isbn= 978-1471184864 | ||
| + | |website= https://annabrunobooks.com/ | ||
| + | |cover=1471184862 | ||
| + | |aznuk=1471184862 | ||
| + | |aznus=1471184862 | ||
| + | }} | ||
| + | |||
| + | Some books either grab you or bore you. And this was one that I wanted so badly to like but unfortunately, I just wasn't hooked. | ||
| + | |||
| + | Told over the course of one night, Ordinary Hazards is more like an extended series of musings rather than a complete story. Sat alone in her local bar, Emma reflects on her life and the tragic events leading to her divorce. Over the course of the novel a succession of characters are introduced via a lengthy interlude to flesh out their backstories. This rapidly became formulaic and the fact that few of them impact the story meaningfully meant that I became less and less interested in finding out about them. Despite some great lines and intense description, I couldn't get into it: there's too much telling and not enough showing. | ||
| + | |||
| + | I could enjoy a slow-burner if I had some idea where it was all going. But fifty pages in, I wasn't sure what the plot was. Fifty more pages, I felt like I was just starting to know. I was interested in Emma's relationship with Lucas, and what made them fall apart – but the story takes too long to get there, jumping from past to present constantly, and the eventual reveal feels like a rush of information. | ||
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| + | What really sealed the deal, though, is that Emma isn't that engaging a character. She was difficult to like, I felt like I'd read what makes her different many times before (she likes to drink whiskey!), and nothing about her clued me in as to why I should care about her disintegrated relationship. Perhaps someone out there identified strongly with her, but I certainly didn't. | ||
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| + | If you like purely character driven novels without much in the way of plot, then this might be the book for you. But it wasn't for me. | ||
| + | |||
| + | A slow-burner I can recommend is [[Black Dog Summer by Miranda Sherry]]. | ||
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[[Category:Reviewer Centre]] | [[Category:Reviewer Centre]] | ||
Revision as of 13:43, 15 September 2020
| Ordinary Hazards by Anna Bruno | |
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| Category: General Fiction | |
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Reviewer: Stephen Leach
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| Summary: Too much telling and not nearly enough showing in this slow-moving reflection on guilt and grief. | |
| Buy? No | Borrow? No |
| Pages: 272 | Date: August 2020 |
| Publisher: Scribner UK | |
| External links: Author's website | |
| ISBN: 978-1471184864 | |
|
Share on: | |
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Some books either grab you or bore you. And this was one that I wanted so badly to like but unfortunately, I just wasn't hooked.
Told over the course of one night, Ordinary Hazards is more like an extended series of musings rather than a complete story. Sat alone in her local bar, Emma reflects on her life and the tragic events leading to her divorce. Over the course of the novel a succession of characters are introduced via a lengthy interlude to flesh out their backstories. This rapidly became formulaic and the fact that few of them impact the story meaningfully meant that I became less and less interested in finding out about them. Despite some great lines and intense description, I couldn't get into it: there's too much telling and not enough showing.
I could enjoy a slow-burner if I had some idea where it was all going. But fifty pages in, I wasn't sure what the plot was. Fifty more pages, I felt like I was just starting to know. I was interested in Emma's relationship with Lucas, and what made them fall apart – but the story takes too long to get there, jumping from past to present constantly, and the eventual reveal feels like a rush of information.
What really sealed the deal, though, is that Emma isn't that engaging a character. She was difficult to like, I felt like I'd read what makes her different many times before (she likes to drink whiskey!), and nothing about her clued me in as to why I should care about her disintegrated relationship. Perhaps someone out there identified strongly with her, but I certainly didn't.
If you like purely character driven novels without much in the way of plot, then this might be the book for you. But it wasn't for me.
A slow-burner I can recommend is Black Dog Summer by Miranda Sherry.
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