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The Drop-off by Patrick Quinlan (view source)
Revision as of 16:14, 29 August 2020
, 16:14, 29 August 2020no edit summary
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Smoke Dugan, one-time bomb-maker for the mob, is on the run. It's not easy to keep a low profile when you've got your girlfriend (Lola), her best friend (Pamela) and a retired professional assassin (Cruz) with you; and if you're carrying $2.5 million in cash, you can be sure the people the money belongs to won't let the trail go cold. The tiny Caribbean island of Saint Mark's seems a safe bet, but that's reckoning without the unexpected presence of ex-Navy Seal Stone, an old enemy of Cruz. Stone has heard of the massive finder's fee placed on Cruz's head by Big Vito back in New York, so he's very motivated. Soon the rest of the mob is on the way and the scene is set for a game of cat and mouse amid the palm trees and on the high seas.
Well, that's what the blurb says, anyway. It also says that author Patrick Quinlan is a writer who weaves together elements of ''Pulp Fiction'', ''Kill Bill'' and ''Get Shorty''. He is certainly a writer who is doing his damndest to be as cool as Elmore Leonard used to be (some say still is). There's a lot to commend in his writing, that's for sure. But I wasn't entirely won over by his latest offering.
''The Drop-Off'' is the follow up to Quinlan's first novel ''Smoked'', which received some rave reviews, comparing Quinlan to James Ellroy or Quentin Tarantino. In ''Smoked'', James ''Smoke'' Duggan (aka Wally O'Malley) is an aging explosive ageing explosives expert with a gammy leg who rips off the mob to the tune of $2.5 million ably assisted by his twenty-five-year-old girl friend girlfriend and martial arts expert, Lola Bell. The mob, who used to employ Smoke (unbeknownst to Lola Bell) send a stone-cold killer, Denny Cruz, and two nasty assistants, Moss and Fingers, to despatch Smoke and retrieve their $2.5 million.
You might suppose, then, that ''The Drop-Off'' is simply a rewrite of ''Smoked''. And, as Barry Norman might once have said, why not? The plot is, of course, predictable but it's all about the action. Unfortunately, sometimes the action sometimes chugs along rather slowly (at one stage a mobster says to his sidekick, ''This is about the slowest f***ing car chase in the history of the world'', which is a summary of at least the first half of the book). Quinlan has an annoying habit of giving the reader the full backstory of every new character he introduces which, despite their always colourful backstory, I just found a tedious brake on the action – to hell with the backstory, I wanted to get on with the frontstory! He also seems to write for the lowest common denominator. To give just one example: we are told when we meet Cruz's girlfriend that, until she fell for the stone-cold killer, Pamela had ''her job at the library, her quiet life, her cute little apartment''. Fine. It's a cliché, but we have an effective picture of Pamela. But Quinlan then goes on to remind us of Pamela's backstory nearly every time she crops up, including her final scene when we are told that, ''Pamela, the formerly shy and retiring librarian, was going to do just fine''.