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Revision as of 11:46, 7 August 2020
, 11:46, 7 August 2020no edit summary
Along with David Eddings, Raymond E. Feist was one of my first loves when it comes to Fantasy writing. They always used magic as a tool, rarely as a plot device and they avoided the long passages in Elvish that can make Tolkien so much of a chore. I may have always had a slight preference for Eddings, but my copies of Feist's original Riftwar trilogy are showing serious signs of use these days.
I may not have kept up with Feist's writing over the years, missing ''The Conclave of Shadows Trilogy'', but there is enough familiarity in both style and characters to make me feel instantly back at home. Pug may have grown up and is now a grandfather, but he is still involved with important business and, as ever, the future of both his home worlds homeworlds is at stake.
Following on from the opening part of the trilogy, the few remaining members of the Night Hawks are being taken care of. Meanwhile, the presence of the slumbering Talnoy is still causing concern and Pug speaks to the Oracle who advises him that he will need to travel to a separate plane of existence, one of the lower planes, to the Dasati world to figure out exactly why the Talnoy are there.
What first made me a fan of Feist's writing is that, unlike a lot of fantasy writers, he concentrates on how the characters react to situations, rather than just describing things. This is true even with his non-human characters, who he manages to give a touch of humanity. Here, even when they travel to a whole new world, there is more about how the characters handle the culture shock than there is of telling the reader about the new world.
These two characteristics do cause a problem part way partway through, however. Feist flicks between characters and races quite easily and at such a rate it can be a little dizzying. At one point, when he introduces the new alien character, there's nothing to indicate this is what he's done and the human-like way they are described meant that for some time, I was confused as to who was who. Once I'd got this sorted out in my head, however, things became a lot clearer and I was able to enjoy the story.
If there is one other concern, it's that the identity of the main villain was a little too easy to predict. Admittedly, the way things came about was unexpected, but I was a little disappointed to have picked him so easily and so early on, especially as I'm not usually good at guessing things like that.
These minor concerns aside, however, this middle book doesn't feel like something to take up space between and an introduction and a climax, but an adventure in its own right, unlike some [[The Elves of Cintra|similar]] books I have read recently. It's clear that there have been events leading up to the story in this book and that there will be more to come, but there's enough here to keep you entertained rather than looking out for what is to follow.
If you have read Feist before, this is certainly up to his usual standards and will be enjoyable, regardless of whether you've read every word he's written, which I hadn't. If you've not read his works before, the character -based fantasy he writes is always wonderful to read and his earlier work ''Magician'' is a fine introduction to the genre, not just the author.
I'd like to thank the publishers for sending a copy of this book to The Bookbag.
If you like this type of book then you might also enjoy [[The Innocent Mage]] by Karen Miller. We've also enjoyed [[Wrath of a Mad God (Darkwar) by Raymond E Feist]].
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