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|summary= A very lengthy-reading thriller set in the dopey days of late '60s San Francisco. There were flashes of comedy, and a general narrative drive to be enjoyed, but on the whole , this failed to take me places. Man.

There probably are more pages here that drugs are used on, or suffered from, than there are not. Normally this would not exactly endear a book to me, but from the first pages , the book was cutting through that and allowing me to enjoy the thriller side of things. It is again a hazy construct. It looks, bare-boned, to be very linear - this discovery leads to this conversation, leads to this errand - but staggers Doc around his state in a very convoluted, circuitous path. It hits on hippy, surfer, doper, family, The Family, police, FBI, and copious surroundings.

Well, there are flashes here and there of someone writing about this being the end of the Summer of Love, and the beginnings of something darker. But a goodly proportion of that comes from the blurb writer. I am at too much of a remove to say how accurately this book renders the cusp of that decade. So I must approach it from the point of view of the thriller reader, and here damn it by saying it is at least a hundred pages too long.

There are touches of the Elmore Leonard, and suchlike flashy thriller writing, and the narrative certainly embroils one into variety, some small danger, some unusual circumstances for Doc. But on the whole, I'm back to the haze again.

A very different kind of fiction set in San Francisco can be found in the pages of [[The Story of a Marriage by Andrew Sean Greer]]. For another book set ion San Francisco, we can recommend [[American Weather by Charles McLeod]].