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The author, Caroline Brothers, an Australian-born journalist who writes for the New York Times and International Herald Tribune, has met many Aryans and Kabirs. In this book she brings them to the world’s attention in a devastatingly unforgettable way. When I think about journalistic writing, succinct and factual impartiality comes to mind. This author’s style is a whole lot more than that. Ms Brothers draws the reader in with almost 3-dimensional creative prose: one can feel the water seeping through the boys’ thin trainers and picture the chaos after a car bomb has ignited an Afghan market.
Everything is viewed through the eyes of the boys, exceptionally well-drawn characters. Man-child hybrids, forged and toughened by experience, the book is peppered with reminders of their youth. From time to time their situation fades into the background as they behave like children for short interludes. This creates the humour that wouldn’t be expected in amongst such subject material. However, the reality of their situation is never far away, adding poignancy. For instance Aryan has made it fun for Kabir to learn, mantra-style, ‘’Kabul''Kabul-Tehran-Istanbul-Athens-Rome-Paris-London’’London''. However, it’s not a game for Aryan. The game-like process reassures him that Kabir would find his way to England if Aryan died.
Having said this, emotion isn’t laid on with a trowel. The story develops as it develops, without melodrama, giving the reader the choice and ability to feel their own emotion without apparent author manipulation. There may well be manipulation but it doesn’t show – a rare and welcome skill in today’s literary world.

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