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Revision as of 15:25, 15 January 2015
, 15:25, 15 January 2015Created page with "{{infobox |title=Honeydew |author=Edith Pearlman |reviewer=Ani Johnson |genre=Short Stories |summary=A collection of short stories previously only published separately from a..."
{{infobox
|title=Honeydew
|author=Edith Pearlman
|reviewer=Ani Johnson
|genre=Short Stories
|summary=A collection of short stories previously only published separately from a hugely respected author with years of accolades on her mantelpiece. The literary accomplishment jumps out so it depends on engagement with the eclectic individual tales. Me? There were those I loved and others that may be an acquired taste.
|rating=4
|buy=Maybe
|borrow=Yes
|pages=288
|publisher=John Murray
|date=January 2015
|isbn=978-1444797015
|website=http://www.edithpearlman.com/
|video=
|amazonuk=<amazonuk>1444797018</amazonuk>
|amazonus=<amazonus>1444797018</amazonus>
}}
American short story writer [[:Category:Edith Pearlman|Edith Pearlman]] brings us a compilation of stories that have only been seen separately in magazines over the years. This follows on from the huge success of ''Binocular Vision'' (in 2013), the short story collection that led to Ms Pearlman being presented with the National Critics' Circle Award.
Indeed, one look at Edith's work will confirm her literary talent as we witness ease as she practices her now trademark examination of snapshots from everyday life. For me this works best when it's combined with quirkiness as in ''Deliverance'', a wonderful little episode outlines the results of a kitchen serving the disadvantaged taking on a new employee. In this warm, feel-good tale that dabbles at the edges of fantasy, we gradually find out that Mimi isn't your average cook or manager.
Edith can also evoke nostalgia with a deft touch and, in the case of ''The Lightness of Happiness'', in only five pages. It may be short but we hang on every moment of a child's search for security causing us to think about our pasts in the process.
Sometimes the author concentrates on the minutiae more than the big picture which can be a little distracting. For instance, the titular ''Honeydew'' centring on a head teacher and anorexic pupil at a residential school has a satisfyingly enigmatic ending. However it jumps back and forth between the characters, causing the interconnecting lives to feel slightly disjointed rather than flowing. Perhaps this could be a literary device to show that the characters' lives are disjointed and it just left me slightly frustrated?
Whatever our opinion, no one can ever say that they know what to expect in one of Ms Pearlman's collations. A topical tale of female genital mutilation (''What the Ax Forgets the Tree Remembers'') shares the same volume as ''Puck'', a charmer of a vignette about a certain antique shop acquisition.
Indeed I love short stories and never cease to be surprised and delighted by some in any anthology. ''Honeydew'' (the collection rather than the story) is no exception although the gentle ambling style and considered descriptions may seem like just marking time to as many as those who'll luxuriate in the style before the subtle twists take hold. To use a Forrest-Gumpian analogy, short stories are always like a box of chocolates: sometimes we'll pick one with a divine centre and at other times it's the surrounding chocolate that wows. In the case of ''Honeydew'' there are some lovely flavours and, if you enjoy a more languorously observant writing style, confections that will stay in the memory for a long time to come.
Further Reading: If you love short stories or perhaps are just setting out to discover what sort you prefer, why not try the short story selection box that is [[The Best British Short Stories 2014 by Nicholas Royle (editor)]]?
{{amazontext|amazon=1444797018}}
{{amazonUStext|amazon=1444797018}}
{{commenthead}}
[[Category:Literary Fiction]]
|title=Honeydew
|author=Edith Pearlman
|reviewer=Ani Johnson
|genre=Short Stories
|summary=A collection of short stories previously only published separately from a hugely respected author with years of accolades on her mantelpiece. The literary accomplishment jumps out so it depends on engagement with the eclectic individual tales. Me? There were those I loved and others that may be an acquired taste.
|rating=4
|buy=Maybe
|borrow=Yes
|pages=288
|publisher=John Murray
|date=January 2015
|isbn=978-1444797015
|website=http://www.edithpearlman.com/
|video=
|amazonuk=<amazonuk>1444797018</amazonuk>
|amazonus=<amazonus>1444797018</amazonus>
}}
American short story writer [[:Category:Edith Pearlman|Edith Pearlman]] brings us a compilation of stories that have only been seen separately in magazines over the years. This follows on from the huge success of ''Binocular Vision'' (in 2013), the short story collection that led to Ms Pearlman being presented with the National Critics' Circle Award.
Indeed, one look at Edith's work will confirm her literary talent as we witness ease as she practices her now trademark examination of snapshots from everyday life. For me this works best when it's combined with quirkiness as in ''Deliverance'', a wonderful little episode outlines the results of a kitchen serving the disadvantaged taking on a new employee. In this warm, feel-good tale that dabbles at the edges of fantasy, we gradually find out that Mimi isn't your average cook or manager.
Edith can also evoke nostalgia with a deft touch and, in the case of ''The Lightness of Happiness'', in only five pages. It may be short but we hang on every moment of a child's search for security causing us to think about our pasts in the process.
Sometimes the author concentrates on the minutiae more than the big picture which can be a little distracting. For instance, the titular ''Honeydew'' centring on a head teacher and anorexic pupil at a residential school has a satisfyingly enigmatic ending. However it jumps back and forth between the characters, causing the interconnecting lives to feel slightly disjointed rather than flowing. Perhaps this could be a literary device to show that the characters' lives are disjointed and it just left me slightly frustrated?
Whatever our opinion, no one can ever say that they know what to expect in one of Ms Pearlman's collations. A topical tale of female genital mutilation (''What the Ax Forgets the Tree Remembers'') shares the same volume as ''Puck'', a charmer of a vignette about a certain antique shop acquisition.
Indeed I love short stories and never cease to be surprised and delighted by some in any anthology. ''Honeydew'' (the collection rather than the story) is no exception although the gentle ambling style and considered descriptions may seem like just marking time to as many as those who'll luxuriate in the style before the subtle twists take hold. To use a Forrest-Gumpian analogy, short stories are always like a box of chocolates: sometimes we'll pick one with a divine centre and at other times it's the surrounding chocolate that wows. In the case of ''Honeydew'' there are some lovely flavours and, if you enjoy a more languorously observant writing style, confections that will stay in the memory for a long time to come.
Further Reading: If you love short stories or perhaps are just setting out to discover what sort you prefer, why not try the short story selection box that is [[The Best British Short Stories 2014 by Nicholas Royle (editor)]]?
{{amazontext|amazon=1444797018}}
{{amazonUStext|amazon=1444797018}}
{{commenthead}}
[[Category:Literary Fiction]]
