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[[Category:Crime (Historical)|*]]
[[Category:New Reviews|Crime (Historical)]] __NOTOC__ <!-- Remove -->
 
{{newreview
|author=Barbara Cleverly
|title=Enter Pale Death
|rating=3.5
|genre=Crime (Historical)
|summary=''Death by Misadventure''.' This is the official verdict as to the cause of death of Lady Lavinia Truelove, trampled to death by a notoriously ill-tempered horse, which she foolishly tried to approach in its stall. The horse panicked and reacted badly, resulting in a gruesome and bloody attack, witnessed by two boys from the village. Most people would dismiss the event as a tragic accident, but detective Joe Sandilands suspects that this could be cold-blooded murder. Could his judgement be clouded by the fact that he has a very personal axe to grind with the 'grieving' widower, who has been showing increasing attentiveness to Dorcas, the girl he plans to marry?
|amazonuk=<amazonuk>1616954086</amazonuk>
}}
 
{{newreview
|author=Leslie Charteris and John Telfer (narrator)
|summary=Michael Reilly is somewhat of a guilty pleasure of mine; his novels are hi-octane adventures that are often as ludicrous as they are sublime. ‘The Tournament’ is a departure from his action packed Scarecrow and Jack West thrillers; instead creating an alternative history for our own Queen Elizabeth I. Why was she such a formidable leader whose reluctance to marry and dislike of the Catholics were only part of her make-up? Reilly poses a hypothetical tale about a 13 year old Bess going to Constantinople to watch a tournament of the world’s greatest chess players. Here she will be embroiled in a murder mystery alongside her tutor Roger Ascham.
|amazonuk=<amazonuk>1409134229</amazonuk>
}}
 
{{newreview
|title=The Return of Sherlock Holmes
|author=Arthur Conan Doyle
|rating=5
|genre=Crime (Historical)
|summary=I'm still not sure which is cheekier of the BBC – either riffing on the Conan Doyle originals for their own modern takes on Sherlock Holmes, or producing new editions of the original stories and novels with their young stars on the front, purely to tie a few sales down of what is now out of copyright. Certainly I think the latter is the greater crime, given the results on screen, for the number of young people picking up these classics for the first time on the basis of the TV and finding something quite against the grain of what they've ever read outside of school must be quite large. Still, anything to forcefeed classics to a new audience…
|amazonuk=<amazonuk>1849907609</amazonuk>
}}

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